Located in the heart of the city, the Bâtiment des Forces Motrices (BFM) is a former hydroelectric power station on the Rhône that has been transformed into a versatile venue. It hosts a wide range of cultural events, including theatrical performances, dance shows, and concerts. Its entirely wooden interior enhances acoustic qualities, allowing it to accommodate up to 1,000 spectators.
Directed by Barrie Kosky, this staging of The Threepenny Opera renews Bertolt Brecht and Kurt Weill’s scathing satire of capitalism. The Berliner Ensemble and conductor Adam Benzwi propel a score that blends popular song, jazz and operatic colour, while a labyrinthine set foregrounds theatricality and ensemble acting. Kosky’s cabaret-inflected direction sharpens the show’s irony and musicality, and the performers move between biting humour and dark lyricism to reveal the work’s moral complexity.
Anne Tuffigo, a medium, writer and lecturer, presents an investigation into the signs left by the deceased. Having discovered her mediumistic gift in childhood and turning professional in 2004 after the loss of her mother—leaving a career as a lecturer in modern letters—she has since developed a practice in Paris and gives numerous conferences. This talk examines how messages are perceived and conveyed, includes a questions-and-answers session and selected medium contacts.
In French.
Ludovic Tézier’s recital showcases the French baritone’s resonant, luminous timbre and refined legato, guided by expressive vocal intensity. Joined by pianist Julius Drake, Tézier explores a programme rooted in the grand tradition of heroic French baritone singing, blending dramatic presence with lyrical nuance. The recital foregrounds interpretive depth and vocal colour, offering an intimate portrait of repertoire that balances theatrical force and refined phrasing.
Comedian and performer Gérémy Crédeville presents a one-man show that interrogates the act of choosing through sharp sketches, stand-up and musical interludes. With a playful, self-deprecating voice he shifts between theatrical bits and songs, examining freedom, limits and identity with warmth and wit. The piece balances intimate anecdote and staged invention to create an engaging, reflective evening of humour and music.
In French.
Alexis Tramoni delivers a raw, razor‑sharp stand-up performance that explores the best and the worst of life: heartbreak, loss, identity and the fallout of controversial jokes. He draws on an upbringing in one of France’s richest neighbourhoods and on personal trials — being harassed, adored, broken and loved — to craft a brutally honest, darkly comic portrait. The show balances provocation and sincerity, inviting reflection through wit and emotional truth.
In French.
Jeremy Hababou is a pianist-composer whose music bridges traditional jazz, classical forms and oriental influences. His performances weave intimate narratives through evocative melodies and refined improvisation, balancing technical finesse with raw feeling. On stage he cultivates close dialogue with listeners, shaping moments of quiet reflection and radiant intensity. The programme explores memory, travel and emotional landscapes, delivered with subtle dynamics and a distinctive lyrical voice.
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Culture, curated weekly.
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