Jeremy Hababou is a pianist-composer whose music bridges traditional jazz, classical forms and oriental influences. His performances weave intimate narratives through evocative melodies and refined improvisation, balancing technical finesse with raw feeling. On stage he cultivates close dialogue with listeners, shaping moments of quiet reflection and radiant intensity. The programme explores memory, travel and emotional landscapes, delivered with subtle dynamics and a distinctive lyrical voice.
Festival de la Bâtie – Blanc Manioc x Furie Sound System brings together the Franco‑Brazilian collective Furie Sound System and the pan‑African electronic label Blanc Manioc for a celebratory finale. With special guests DJ Baddest and Senegalese artist Mara Seck, the performance blends electronic production with African traditions and tropical rhythms, moving through techno, house, reggae, amapiano, batida, baile funk and electro‑sabar. The set foregrounds rhythmic dialogue, cross‑cultural textures and communal energy.
Scène Vagabonde’s seventh edition brings a compact program of contemporary theatre and music, presenting three contrasting stage works — “Par le bout du nez”, “Quadrille” and “Prima facie” — alongside a concert by Orchestre Tout Puissant Marcel Duchamp as part of La Bâtie-Festival de Genève. Across intimate stagings the festival favors inventive direction, close ensemble interplay and a balance of wit and intensity, offering encounters that privilege physical presence, tonal variety and rigorous dramaturgy.
An afternoon of short musical and dance vignettes by a diverse lineup of local and international artists. Thirty-minute sets shift between intimate moments and larger rhythmic textures, blending folk, contemporary and improvised approaches. Soundscapes and rhythmic dynamics shape an unfolding journey, with lighting and staging creating shifting atmospheres from hush to exuberance. The programme invites casual discovery and sustained listening, transporting audiences through contrasting sonic and bodily languages.
Choreographed by Saša Asentić, Le Sacre du printemps is a reimagined Stravinsky landmark performed by the inclusive company Per.Art. Drawing on historical versions by the Ballets Russes, Maurice Béjart and Pina Bausch and enriched with the voices of disabled poets from Serbia, Iran, Ukraine and the United States, the seven dancers invert the original narrative. The staging transforms ritual into a manifesto of survival, blending physical rigor, collective solidarity and poetic testimony to renew the score as a cry for life.
Balades Théâtralisées invites audiences on an outdoor theatrical promenade that uncovers hidden city histories through staged scenes in natural settings. The troupe blends guided narration with short dramatic tableaux, favouring emotional resonance over strict historical reenactment. Soundscapes and simple lighting sculpt nocturnal and intimate atmospheres, while performers shift between storytelling and embodiment. The route alternates between the company’s traditional itinerary and a new underground-themed walk, creating a layered experience of memory, surprise and communal discovery.
In French.
Roomful of Teeth, an American vocal ensemble celebrated with multiple Grammy Awards, transforms the voice into a versatile, multi‑modal instrument. Eight singers combine virtuosic technique and exploratory spirit to present two complementary works: Gabriel Kahane’s Elevator Songs, a suite of musical narratives sketching a mosaic of lives and eras, and Caroline Shaw’s Partita for 8 Voices, a landmark score where timbres collide and cohere. The programme balances collective precision and individual freedom, moving between humour, fragility, memory and astonishment.
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