
Located on the edge of Geneva’s old town, the Alhambra has been part of the city’s cultural landscape since its establishment in 1920. It primarily serves as a venue for contemporary music events, organized by private entities and non-profit associations. The venue also hosts concerts and events during Geneva’s many festivals, offering a diverse range of musical performances.
Led by Médine and directed by Laetitia Botella, Enfants du destin revisits stories of children swept up in history’s upheavals. Accompanied by Guillaume Zolnierowsky (piano, guitar) and Shéhérazade (voice, cello), the piece unfolds as intimate acoustic storytelling; Karinale Lo van Zaouiche punctuates the narrative with brief, dialogued interventions. With lyrics by Médine and music by Proof, adapted by Redzol and Shéhérazade, the performance blends concert and theatre to probe collective memory, interweaving personal names and fractured lives into a quiet, resonant inquiry.
In French.
Pierre de Maere, a 24-year-old singer-songwriter and recipient of the Victoires de la Musique Revelation award, brings feverish romanticism, biting irony and theatrical panache to an intimate pop performance. His platinum debut Regarde‑moi provides a backdrop for expressive vocals and bold stagecraft, where shimmering melodies alternate with caustic wit. The show mixes flamboyant gestures with quiet vulnerability, inviting a charged emotional arc and a sense of liberated, performative freedom across his upcoming tour.
At 24, Adèle Castillon channels intimate confessions into a luminous pop performance. The singer, first known as half of Vidéoclub, blends electro-pop textures with fragile vocal lines to explore heartbreak and addiction. Signed to Iconoclast and collaborating with producer Surkin, her songs mix nostalgic synths and modern pop sensibilities. Lighting and subtle arrangements cradle her voice, creating an introspective atmosphere that moves between wistful tenderness and raw emotional clarity.
Culture, curated weekly.
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