Out of the Blue brings together Norwegian ceramicist Heidi Bjørgan and textile artist Kari Dyrdal in a sustained dialogue between ceramics and woven textiles. Bjørgan reworks familiar jug and vessel archetypes until they appear melted or imploded, using multiple firings and distinctive glazes to expose cracks, shifts and unpredictable reactions. Dyrdal examines memory, pattern and structure through handwoven, hand‑dyed pieces that marry traditional craft with digital processes, yielding tactile and conceptual depth.
Opening during Nuit des Bains, Thursday 12 March, 18:00.
Architecture of Memories is a two-person exhibition by German artist Alina Frieske and Swiss artist Tobias Nussbaumer. Frieske reworks fragments of online imagery into digital collages that question image production and contemporary visual culture. Nussbaumer constructs layered virtual and architectural spaces through detailed pencil and ink drawings based on personal archives. Together their works probe how images configure memory, spatial perception and identity, juxtaposing digital fragmentation with meticulous draughtsmanship.
Opening during Nuit des Bains, Thursday 12 March, 18:00.
The Festival du Film Vert is the leading documentary film festival dedicated to ecology and environmental issues in French-speaking Switzerland. Founded in 2006, it showcases Swiss and international films that address climate and environmental challenges and highlight concrete solutions. Designed as a decentralized, multi-site event, the festival prioritizes local access and complements screenings with discussions involving filmmakers, experts, and engaged voices, encouraging reflection and inspiring audiences to take action.
Ready to dive into the dark depths off the island of Antikythera to discover an ancient shipwreck? The exhibition Nouvelles d’Anticythère presents the research carried out between 2021 and 2025 by the Classical Archaeology Unit of the University of Geneva, in collaboration with the Greek Ministry of Culture. It examines the famous shipwreck discovered in 1900 — a major merchant vessel that sank in the 1st century BCE — and invites visitors to discover the site and understand why it remains a key subject for archaeological research across the Mediterranean.
London-based artist Konstantina Krikzoni presents a body of paintings born from an intense solitary studio practice. Her work blurs painting and sculpture: textured, tactile canvases where brushwork and sculptural modelling interweave. Silent yet confrontational female figures occupy compositions in grey and yellow, evoking funerary motifs and the logic of memory and grief. ARMATURA functions as metaphor and method — an internal armature of endurance that shapes emotion into form through material exploration and sustained process.
Marie Ducaté presents Simultanés, an installation that transposes the spirit and traces of her studio into a theatre of objects. Combining ceramics, tracing paper, watercolor, textile and glass, the work sits at the intersection of pop culture and art history. The installation foregrounds a chromatic range from vivid colour to transparency and investigates the sensuality of materials, inviting close attention to texture, surface and the intimate relationships between form and materiality. Curated by Claire FitzGerald.
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