A leading voice in contemporary samba, Xande de Pilares brings a vibrant mix of tradition and modernity to the stage. Accompanied by his musicians, he revisits emblematic songs such as Tá Escrito, Deixa Acontecer and Samba de Arerê, inviting the audience into a celebration of rhythm, memory and shared emotion. The result is a warm, high-energy journey through Brazilian musical culture, where singing and dancing become part of the same pulse.
Directed by Brigitte Rosset, this intimate comedy follows Lucie, a celebrated playwright trapped by silence, and Thomas, her eccentric new neighbour whose clumsy misadventures rekindle her imagination. Performed by Mauro Bellucci and Camille Figuereo, the staging plays with the boundaries between fiction and reality, mixing subtle humour, melancholic moments and theatrical invention. The production honours the original text by Matthieu Delaporte and Alexandre de La Patellière.
In French.
At the crossroads of theatre, mixed reality and technological installation, this immersive performance invites audiences to test the machine built by a scientist to tackle existential problems. Wearing mixed-reality headsets, spectators collectively explore the chaotic inner world of a person trapped by indecision. The experience moves between human vulnerability and artificial intelligence, until the machine itself begins to falter in the face of what it cannot fully understand.
Presented in partnership with the Institut National Genevois, this closing concert brings together prizewinners of the Geneva Competition: violist Brian Isaacs and the Quatuor Elmire. The programme centres on Beethoven’s Quintet alongside two contrasting works, offering intimate chamber music textures. The performers favour clarity of line and heated interplay, shaping a narrative of tenderness and tension. Lighting and staging are understated, focusing attention on timbral richness and communicative ensemble playing to create a luminous, emotionally precise evening.
La Revue Genevoise returns for its 134th edition, blending sharp satire with music, dance and theatrical sketches. A lively ensemble navigates topical scenes that mix wit and social critique, supported by inventive choreography, musical arrangements and fluid staging. The production alternates fast-paced comedy and reflective moments, offering a polished, communal portrait of contemporary Geneva life told through song, movement and comic timing.
In French.
The Lemanic Modern Ensemble traces Maurice Ravel’s poetic universe through music, song and spoken text, with conductor Dylan Corlay and French soprano Marion Tassou. Framed by Bénédicte Lesenne’s original staging, the programme moves between Symbolist literature, distant cultures, jazz and music-hall, revealing a modernist landscape both playful and refined. Ravel’s pages meet works by Satie, Chostakovitch, Marinetti and others in a vivid encounter between heritage and fantasy.
Assembled at the initiative of Vincent Ruiz and Nicolas Masson, this newly formed quartet offers an open, democratic interpretation of recent compositions by Nicolas Masson. The project blends composed material and responsive improvisation, allowing structures to emerge and be shaped in real time. The ensemble—Nicolas Masson (saxophone), Théo Duboule (guitar), Vincent Ruiz (double bass) and Nathan Vandenbulcke (drums)—explores textural interplay, collective listening and the elasticity of form in contemporary chamber jazz.
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