WANDER / WONDER invites you to see the world through a photographer’s eyes. Captured in Japan, Marrakech, China, Hong Kong, Croatia and Egypt, these images explore cultural contrasts, the beauty of places, the emotions they evoke, and the little details that spark our curiosity and inspire us to discover the world.
Opening: Wednesday, 28 October, 18:30.
More a time capsule than a traditional museum. Step into Countess Zoubov’s elegant 18th-century world, where furniture, paintings, porcelain, and decorative arts remain arranged much as she intended in the 1950s. Among the 525 recorded pieces are numerous objects connected to Catherine II’s Russia.
What Connects Us brings together Susanna Bauer, Michele Landel and Hannah Schmider in a collective exhibition that examines encounters between nature, memory and craft. Delicate crochet, embroidered photographs on reclaimed bed linens and figurative wooden sculptures form a quiet vocabulary that probes human–animal relationships and domestic ecologies. The works emphasise material histories and gesture, inviting careful looking and conversations about care, fragility and the traces left by interspecies bonds.
Opening: 10 October, 11:00 – 15:00
Our eyes are naturally drawn to light and what shines. Yet what could be more fascinating than shadow? Shadows have enabled many fundamental discoveries: the shape of the Earth, the calculation of its circumference, the identification of electrons, and the understanding of planetary motion. They accompany us and enrich our thinking. Come and explore them to learn more about their role in science.
Exhibition in French & in English.
Skateboards belong in museums too. Pulp68 traces skate culture from the 1950s to today through boards, graphics, objects, books, and stories collected over decades. Raw, personal and refreshingly far from the white-cube museum experience.
Béchir Boussandel presents a body of work that unfolds from shadow and the heat of desert palettes. Through paintings, sculptures and delicate bird watercolours populated by anonymous figures, he examines displacement, crossing and survival within North African desert landscapes. The pieces use ochres, reds and material contrast to evoke memory and shifting identities, employing an atmospheric visual language that balances figuration and absence.
Thomas Fougeirol’s first solo exhibition investigates painting as an uncertain field between surface and relief, image and matter. Through a sequence of repaints layered over earlier Dust Paintings, Fougeirol activates texture, pigment and gesture to blur pictorial depth and sculptural presence. The show foregrounds material encounter and process-led decisions, emphasising modulation of light, density and sedimented histories within oil-and-pigment canvases that oscillate between representation and objecthood.
Opening: Wednesday 7 October
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Culture, curated weekly.
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