16 September – 15 October

Xinyi Hu – Between Form and Use, Where Gestures Begin

Free

Xinyi Hu transforms familiar domestic objects—mirrors and tables—into evolving ceramic forms that visitors are invited to activate. Between sculpture and utility, her modular pieces recalibrate everyday gestures: looking, gathering, leaning. The works demand bodily adaptation and invent new uses, making the moment of the artwork’s emergence depend on embodied engagement. Through tactility and careful material language, Hu examines presence, relationality and the thresholds where form becomes action.

Rue Rodolphe-Tœpffer 11,
Switzerland

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Photo Credit: DR

3 September – 1 October

Indigenous Peoples Facing Contemporary Challenges

Art & Exhibits

Quai Wilson

On its 40th anniversary, the association Traditions pour demain commissioned five photographers from Bolivia, Ecuador and Guatemala to present documentary photographs portraying daily life, ancestral knowledge and resilience among Indigenous communities of Latin America. The series explores entangled crises—climatic, social and cultural—that shape their present, using intimate portraiture and landscape studies to reveal survival strategies, intergenerational transmission and forms of resistance. The work invites reflection on living traditions as sites of knowledge and hope.

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30 July – 31 October

Puissance 5

Art & Exhibits

Galerie Rosa Turetsky

Puissance 5 brings together five women artists from different generations in a dialogue between matter and spirit. Their intersecting trajectories produce works where gravity, metal, graphite and cosmic imagery become recurring motifs. The exhibition presents pieces in metal, pencil and mixed media that interweave tactile presence and poetic restraint, exploring materiality, perception and the enduring force of feminine creation across time and space.

Opening: 16 September, 16:00

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2 September – 31 October

La bibliothèque se livre

Art & Exhibits

Centre culturel du Manoir

Franck Bohbot presents a selection of photographs of heritage libraries that open a space for meditation and reverie around the idea of the library.
Alongside these images, contemporary installations and mirrored arrangements that juxtapose photographs of personal libraries create reflective encounters, while a kaleidoscope of texts centers the theme. The exhibition examines how architecture, collection and personal memory shape our relation to knowledge, evoking nostalgia, curiosity and questions about the library as a social and imagined space.

Opening: 2 September, 18:30

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29 January – 25 October

Observatories — Carte blanche to John M Armleder

Art & Exhibits

MAH

John M Armleder presents an interchange-based exhibition that foregrounds objects drawn from students’ suitcases. Through object-based works and subtle interventions, the show probes modes of observation, intimacy and collective memory. Personal belongings are rearranged as visual prompts that evoke histories, pedagogy and everyday cinematics. The artist’s restrained interventions invite reflection on how small domestic items circulate meanings and facilitate encounters, revealing how private narratives surface within a communal field of attention.

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15 September – 31 October

Sacred languages: The Metamorphoses by Martin Abega

Art & Exhibits

Filafriques Gallery

Cameroonian photographer and visual artist Martin Abega presents a body of work that transforms image into material. Combining photography with textiles, embroidery, cowrie shells and charcoal, he stages photographic compositions and object-based pieces that investigate metamorphosis of body and mind. Themes of ordeal, fragility, trace, transmission and regeneration recur, often through the female figure as emblem. Curated by Ngalula Mafwata, the work opens a contemplative space that asks what remains after transformation.

Opening: 15 September, 18:00
Art’péro: 17 September, 18:00
Closing: 31 October

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16 September – 3 October

Gisèle Bonin – Fragiles

Art & Exhibits

MABE Gallery

Gisèle Bonin presents Fragiles, an exhibition of drawings, photography and installation that examines fragment, memory and intimate loss. Using sanguine, graphite and charcoal, Bonin composes delicate, grain‑sensitive surfaces where bodily fragments become sites of presence and silent testimony. The work reflects on exile and absence, revealing how gestures of drawing and measured installation practices hold traces of difficult histories without explicit narration.

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Xinyi Hu – Between Form and Use, Where Gestures Begin