Founded in 2006, the Geneva Outa-no-kai Japanese choir presents a broad repertoire of Japanese songs, from traditional folk tunes to contemporary J-pop. Characterised by close harmonies and attentive phrasing, the ensemble explores the colours and rhythms of Japanese vocal music while adapting pieces for a community choir setting. Through collaborative performances at cultural events, the group seeks to connect audiences with the richness of Japanese melodies and vocal tradition.
The evening opens with the BAG Committee, setting the tone before the traditional jam session takes over. Rooted in live improvisation and shared musical energy, the format invites a fluid progression from an initial performance into an open, spontaneous exchange. The result is relaxed yet charged, shaped by the interplay of musicians, the shifting mood of the room, and the pleasure of listening as the music unfolds in real time.
Directed by Eléonore Bonah and staged by scenographer Maria Clara Castioni, CHRÜSIMÜSI transforms Adelheid Duvanel’s terse, poetic fragments into a multilingual theatrical tapestry. Performers Eléonore Bonah and Maria Clara Castioni inhabit hypersensitive, marginal characters whose everyday gestures oscillate between absurdity and tenderness. Sparse staging and a careful interplay of voice and silence highlight Duvanel’s Kafkaesque intimacy, while language shifts (French, German, Italian) create a fragile, dreamlike atmosphere that balances humour and quiet despair, celebrating stubborn acts of resistance.
Quatuor Terpsycordes overturns chamber music conventions by forging a direct, living relationship with the audience. Combining boldness and sensitivity, the quartet moves fluidly through repertoire from pre-classical works to contemporary creations, searching constantly for balance between tradition and freedom. Their Haydn cycle on period instruments and a recent album have crystallized this rigorous, inspired approach. Violinists Girolamo Bottiglieri and Raya Raytcheva, violist Caroline Cohen-Adad and cellist Florestan Darbellay shape luminous textures and intense chamber dialogue, inviting deep listening and vibrant emotional exchange.
The Mosaic Season presents the artistic expertise of its teachers, offering them a stage to share their work as artists, dancers, actors, musicians, performers and composers. This season invites audiences to five encounters celebrating diversity, exchange and creation, from Cuban rhythms to European baroque, from contemporary harp to jazz-tinged percussion and the sonic energies of Vertixe Sonora Ensemble. Intimate formats emphasise collaboration, timbral exploration and creative dialogue.
La Revue Genevoise returns for its 134th edition, blending sharp satire with music, dance and theatrical sketches. A lively ensemble navigates topical scenes that mix wit and social critique, supported by inventive choreography, musical arrangements and fluid staging. The production alternates fast-paced comedy and reflective moments, offering a polished, communal portrait of contemporary Geneva life told through song, movement and comic timing.
In French.
Part of Recluses Fest #10, this evening brings a rare tribute to Parabellum alongside performances by Ring of Cash and Vikie. Former members of Parabellum reunite with guests and local scene stalwarts to revisit cult anthems with raw intensity and communal fervour. Ring of Cash blends power-folk-rock energy with Juliette Canouet’s captivating voice, supported by Mika Garcia, Jean-Philippe Soler and Xa Mesa. Vikie opens with a punk-tinged, politically charged chanson, creating an exhilarating, sweat-soaked atmosphere.
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