Over the course of a one-hour solo performance, Ana Godefroy confronts questions of visibility and presence. Through intimate monologue, subtle shifts of tone and close audience interaction, the piece probes identity, the female gaze and the tension between being seen and remaining private. The staging favours confinement and immediacy, inviting reflection on twenty-seven years of self-questioning and the delicate politics of attention.
In French.
Shyle Zalewski invites audiences into a two-part evening combining zine culture and an intimate concert. The first part presents a meeting and signing of self-published fanzines, foregrounding handwritten narratives and the DIY community around the artist. Later, under the alter ego edam edam, Zalewski offers a live set that blends fragile melodies and lo-fi textures, shifting the room from quiet reflection to charged immediacy. The night foregrounds intimacy, creative exchange, and the blurred line between reading and song.
By Anton Tchekhov, L’Ours et la Demande en mariage is staged by Tibor Ockenfels and Flavie Tapparel in a spirited production that turns comedy into a vivid duel. The direction highlights the clash between conventions and desire, while set and lighting carve intimate, rhythmical confrontations. Through absurd yet touching quarrels the actors reveal tenderness beneath pride, exploring marriage, social rules and human foibles. Produced by Théâtre de Carouge with the support of Fondation Leenaards.
In French.
Cirque Knie presents a family-oriented, large-scale circus spectacle combining athletic acrobatics, equestrian artistry and choreographed variety numbers. The programme balances fast-paced technical acts and poetic interludes, with careful staging, lighting and live musical accompaniment to create moments of wonder and humour. Suitable for children from four years upwards, the show prioritises accessibility and comfort while offering an immersive, theatrical atmosphere that blends tradition and contemporary circus aesthetics.
Choreographed by Saša Asentić, Le Sacre du printemps is a reimagined Stravinsky landmark performed by the inclusive company Per.Art. Drawing on historical versions by the Ballets Russes, Maurice Béjart and Pina Bausch and enriched with the voices of disabled poets from Serbia, Iran, Ukraine and the United States, the seven dancers invert the original narrative. The staging transforms ritual into a manifesto of survival, blending physical rigor, collective solidarity and poetic testimony to renew the score as a cry for life.
Choreographer and performer Marco D’Agostin fuses scientific lecture, musical comedy and intimate confession in Astéroïde. Posing as a paleontologist, he handles ancient bones while tracing the extinction of dinosaurs, but the scholarly frame cracks as memory, desire and song spill out. A solo that shifts between popular science, theatre and Broadway‑style numbers, it explores loss and survival with wit, physical precision and theatrical exuberance. Produced with Piccolo Teatro di Milano.
In French.
Led by guitarist Christophe Godin, this high-energy rock evening blends blistering riffs, searing solos and communal jamming. Godin and his team create an open-stage atmosphere where seasoned players and eager guests trade fiery phrases over a punchy rhythm section. Sparse staging, bold lighting and raw sound design foreground the music’s physicality, shifting from tight grooves to explosive climaxes. The experience is generous and unpredictable, driven by virtuosity, improvisation and shared joy.
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