Conducted by Ludwig Wicki, the Orchestre de la Suisse Romande performs John Williams’s original score live to the film, accompanied by the choir Le Motet de Genève under choral director Romain Mayor. Projected in high definition, the official cine-concert recreates the wonder and orchestral richness of the first film, blending cinematic imagery with live symphonic and choral textures for a theatrical, immersive musical experience.
An energetic evening of spontaneous theatre, the 32nd Mondial d’Improvisation brings together agile improvisers who craft scenes and characters on the spot. The ensemble explores rapid storytelling, sharp comic timing and emotional risk, playing with form and audience suggestion. Staging favors minimal props and a nimble ensemble dynamic, producing a vibrant, unpredictable atmosphere where creativity and collaboration drive every moment.
In French.
Led by bassist and vocalist Avishai Cohen, this quintet features Yuval Drabkin (saxophone), Yonatan Voltzok (trombone), Itay Simhovich (piano) and Eviatar Slivnik (drums). The program blends lyrical jazz with Eastern melodies and spirited improvisation, alternating intimate, warm ballads with explosive ensemble passages. Cohen’s warm tone and joyful phrasing anchor the music, while the young band’s interplay creates rich textures, rhythmic drive and moments of poignant beauty that draw listeners into an immediate, emotional sound world.
Anthony Kavanagh returns with a polished stand-up evening that mixes sharp social observation, warm storytelling and physical comedy. On stage he navigates identity, family and contemporary life with infectious energy and precise timing, inviting laughter that often shifts into quieter reflection. The show balances wit and sincerity, offering moments of absurdity alongside pointed critique, and showcases Kavanagh’s ability to connect intimately with audiences through voice, gesture and character-driven sketches.
In French.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
Cinzia Cattaneo presents a residency of sharp, observational stand-up with new material and a rotating guest comedian every two weeks. Her candid delivery and precise timing create intimate, laugh-filled situations that probe everyday absurdities and personal anecdotes. The performances combine scripted bits and spontaneous exchanges with the audience, offering a direct, charismatic stage presence and an evolving set that highlights both solo work and collaborative comic interplay.
In French.
Over the past four years more than 200,000 spectators have been drawn into the world of Mary Candies. This reimagined family spectacle unveils new sets and characters, sparkling costumes and a fresh direction that heightens immersion, intensity and wonder. The production favors tactile staging, luminous scenic effects and playful choreography to create layered moments of astonishment and warmth, inviting audiences of all ages to share a night of theatrical magic.
In French.
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