Oesch’s Die Dritten, a Swiss family ensemble, mark three decades with a festive programme that blends their musical tradition and stage repertoire. Rooted in alpine folk, their sound mixes yodelling, accordion and fiddles with tight vocal harmonies and instrumental virtuosity. The performance alternates moments of intimate storytelling and exuberant ensemble playing, offering warmth, humour and rhythmic drive that celebrate family heritage and communal joy.
Two short plays by Anton Chekhov staged by Tibor Ockenfels and Flavie Tapparel, presented as compact dramatic machines where romantic comedy masks escalating confrontations between desire, affection and material interest. Performances rely on precise physical timing, terse exchanges and a lean, playful design to reveal the simmering violence behind courtship rituals. The three actors — Estelle Bridet, Matteo Prandi and Raphaël Vachoux — inhabit heightened character types that shift between farce and darker comic truth, creating a sharply observed, kinetic evening.
In French.
Pour célébrer son 15e anniversaire, le Festival Assemblage’s invite certaines des compagnies qui ont le plus marqué son public ces dernières années à présenter leurs nouvelles créations. Réunissant des artistes venus de toute l’Europe et ouvrant cette édition 2026 avec une grande comédienne genevoise, le festival promet une programmation exceptionnelle de théâtre et de spectacles contemporains.
Conductor Stanislava Nankova leads the Liederkranz-Concordia Choir with an ad hoc symphony orchestra, featuring soloists Fanny Utiger (soprano), Oscar Esmerode (tenor) and Sacha Michon (baritone). The programme juxtaposes operatic arias by Puccini, Boito and Mascagni with sacred and Classical choral pages by Mozart, tracing a path between darkness and light. The music alternates visceral verismo intensity and luminous choral spirituality, creating a dramatic, emotionally charged sound world that pivots between suffering and hope.
An annual mediation project, Fête du Théâtre gathers Geneva’s community around the performing arts, showcasing contemporary and classical theatre, street spectacles, youth shows, circus and magic alongside workshops and encounters. The programme favours collaborative, colourful staging and experimental approaches, blending professional and amateur practices. Its varied formats create lively, tactile atmospheres where humour, wonder and social exchange meet, highlighting regional artistic daring and long-standing partnerships with local cultural institutions and associations.
Electron Festival is one of Europe’s leading festivals dedicated to electronic culture, bringing together pioneering artists, musicians, visual creators, researchers, and audiences through an ambitious multidisciplinary programme. Exploring the intersections of electronic music, digital arts, audiovisual performance, technology, and club culture, the festival offers immersive concerts, live performances, exhibitions, workshops, talks, and participatory experiences that celebrate both artistic innovation and experimentation.
Directed by Françoise Courvoisier, this production of Anton Chekhov’s Oncle Vania — translated by Arthur Adamov — assembles a committed ensemble (Vincent Bonillo, Pierre Dubey, Bérangère Mastrangelo, Patricia Mollet-Mercier, Clarisse Morizot, Pierre Omer, Juliana Samarine, Edmond Vuilloud) to explore love, the passage of time and illusions lost. The staging, created with scenographer Gilbert Maire and painter André Kasper, uses Rinaldo Del Boca’s lighting, Pierre Omer’s music and Nicolas Le Roy’s sound to evoke both the comedy and the terrifying humanity of Chekhov.
In French.
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