Mentir lo Mínimo by Cie Alta Gama follows the journey of three bodies — a woman, a man and a bicycle — stripped down to the essentials: the body itself. Performers Amanda and Alejo create daring partnering, acrobatics and bicycle voltiges to explore self-relationship, identity and intimacy. Blending circus, theatre and live music within a minimalist aesthetic, the piece treats physicality with subtlety and celebration, offering a poetic, tactile reflection on presence.
The evening opens with the BAG Committee, setting the tone before the traditional jam session takes over. Rooted in live improvisation and shared musical energy, the format invites a fluid progression from an initial performance into an open, spontaneous exchange. The result is relaxed yet charged, shaped by the interplay of musicians, the shifting mood of the room, and the pleasure of listening as the music unfolds in real time.
The Mosaic Season presents the artistic expertise of its teachers, offering them a stage to share their work as artists, dancers, actors, musicians, performers and composers. This season invites audiences to five encounters celebrating diversity, exchange and creation, from Cuban rhythms to European baroque, from contemporary harp to jazz-tinged percussion and the sonic energies of Vertixe Sonora Ensemble. Intimate formats emphasise collaboration, timbral exploration and creative dialogue.
Improoo is a festival of long-form improvisation that lets stories breathe and unfold in real time. Performances range from half-hour episodes to hour-long narratives and beyond, driven by a tight ensemble of improvisers who build sustained dramatic arcs, shifting tones and unexpected emotional turns. The creative approach privileges listening, risk and theatrical economy, offering immersive, spontaneous storytelling rooted in theatrical craft and collective play.
In French.
Emergentia 2027 brings together the next generation of choreographers from Geneva and beyond in a two‑week festival of new performance and research. Conceived and produced by three Geneva organizations, the program juxtaposes site-specific creations, international residencies, open studios revealing works-in-progress, and embodied workshops and conversations. Performances feature artists such as Isam Abad Montalvo, Sami Lea Samira Bernath, Oscar M. Damianaki, Efthimios Moschopoulos and Soraya Leila Emery, alongside collaborative projects and emerging voices.
With PavillonADC & TU-Théâtre de L’Usine.
Created and performed by Elina Kulikova and Dima Efremov, TRILOGIE DE LA GUERRE interweaves three musical-performance pieces responding to exile, the war in Ukraine and repression in Russia. Kulikova’s chapters evoke classical and folk song, transforming lament into a ritualised, sensory mourning; Efremov’s contribution uses sound art and electro textures to shift perspective and map clandestine networks of resistance. Together the trilogy forms a compact dramaturgy of intimacy, unease and fragile hope, immersive and politically charged.
Part of Recluses Fest #10, this evening brings a rare tribute to Parabellum alongside performances by Ring of Cash and Vikie. Former members of Parabellum reunite with guests and local scene stalwarts to revisit cult anthems with raw intensity and communal fervour. Ring of Cash blends power-folk-rock energy with Juliette Canouet’s captivating voice, supported by Mika Garcia, Jean-Philippe Soler and Xa Mesa. Vikie opens with a punk-tinged, politically charged chanson, creating an exhilarating, sweat-soaked atmosphere.
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