The exhibition highlights Geneva’s remarkable trees and the men and women who care for them. It explores stewardship, memory and urban ecology, revealing how individual trees anchor community histories and daily practices of care. Combining documentary and artistic perspectives, the presentation considers cultural and environmental dimensions of urban trees, inviting reflection on our relationship with living monuments and the labour that sustains them.
This exhibition assembles objects old and new, from video games and pop culture gadgets to robots like the Omnibot 2000, Daruma statuettes and various oracles. Presented as a cabinet of curiosities, it probes beliefs, technological imaginaries and our relationship to progress. The displays offer strategies for dialoguing with the future, showcase artistic works imagining desirable futures and explore possible developments conceived locally. Content is aimed at ages 8 to 108.
Opening : Wednesday, May 6 at 16:00
Curator-led tours (In French) : 9 – 10 May, 14 June
Dany Gignoux (photographer) and poet Georges Haldas present a compelling dialogue between documentary photography and lyrical prose. The exhibition brings together photographs and written fragments that register everyday life in Geneva’s cafés, combining on-the-spot reportage with memory-infused “prose inspirée.” Through intimate black-and-white images and spare, evocative texts the works transfigure mundane scenes into poetic testimony, revealing social undercurrents and human tenderness. Archival materials frame this historic encounter between two generations of cultural chroniclers.
This exhibition explores the careers of Édouard Naville, Switzerland’s pioneering Egyptologist, and his wife Marguerite Naville, whose contributions alongside him are now recognised in their own right. Through archival documents, excavation records and pharaonic objects, the presentation illuminates their archaeological practice and Marguerite’s role, while situating their work within the political, religious and humanitarian commitments that shaped scholarly life at the turn of the twentieth century.
In French and in English.
Inspired by the literary world of Leonora Miano, this series of paintings portrays a fictional people embodying a utopian vision of Pan-Africanism. Through richly imagined figures and narratives, Ismaël Touré explores identity as plural, fluid, and deeply rooted in a shared collective memory.
Opening: Thursday 25 June, 18:30
Intermezzo, Part 1 & 2 brings together works by Vincent Fournier, Franz Gertsch, Fabrice Gygi, Thomas Huber, Pierre Schwerzmann and Franz Erhard Walther. The group show stages a dialogue between photographic practice, painting and sculptural or performative interventions, highlighting contrasts of scale, materiality and pictorial space. Through composed images, painted surfaces and tactile objects, the exhibition considers modes of representation and the viewer’s bodily relation to works, encouraging slow looking and attentive spatial experience.
Antônia Dias investigates snakes through painting, sculpture and installation, exploring their vivid colours, geometric patterns and segmented forms. By linking aesthetic sensibility, biological observation and symbolic narrative, her work stages a tension between eroticism and metamorphosis. The exhibition assembles tactile materials and painted surfaces to create a destabilising perceptual field where colour, texture and form converge. Viewers are invited to linger within layered visual sequences that blur figurative and fabulatory registers.
Opening: Thursday 2 July, 18:00
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