Samuel Jensky presents a lively solo comedy show that captures the carefree energy and fresh perspective of a new generation. Through sharp storytelling, observational sketches and playful improvisation, the performer navigates absurd everyday situations and quick-witted reflections on identity and social quirks. The piece balances spontaneity and crafted material to keep the atmosphere light and unpredictable, inviting genuine laughter and thoughtful smiles.
In French.
Created and performed by Diederik Peeters, Confabulations blurs the boundary between reality and illusion. Playing a psychiatrist, Peeters uses archival material, historical narratives and personal testimonies to probe memory, perception and confabulation. The staging mixes shifting visual worlds, forensic references and moments of hallucination to produce an unsettling, lyrical investigation of psychiatry, neurology and neurodivergent experience. Second instalment of a trilogy following Apparitions (2018), the piece invites a vertiginous reflection on truth and remembrance.
In French.
FURTHER AFIELD
Presented as part of the fiftieth edition of Festival de la Bâtie, this late-stage production by Robert Wilson draws its creative power from the polymorphic poetry of Fernando Pessoa. Like a magic mirror, Pessoa – Since I’ve Been Me illuminates the nuances of Wilson’s singular aesthetic: meticulous stagecraft, visionary fantasy and boundless imagination. Seven virtuosic performers, including Maria de Meideros, embody Pessoa and his heteronyms in a poetic, visually arresting mise en scène.
Choreographed by Léo Lérus, Gounouj in situ is an intimate, physical dance for four performers that evokes fragile, living landscapes. Rooted in gwoka rhythms and inspired by the creole concept of bousyè, the work blends traditional and contemporary vocabularies to explore vulnerability, transformation and resistance. Bodies shift between human and amphibious states across a sensory soundscape of bird song and marine breath, transforming the stage into a moving ecosystem and proposing a fragile possibility of new balance.
“Couleur 8” explores the idea of existing at the margins: the place from which one sees no one and is not seen. Without familiar reference points or comparisons, the piece invites spectators to impose their own rhythm and to question the strength of marginality. Sparse staging and attentive pacing create an intimate, contemplative atmosphere where movement, silence and timing shape perception and unsettle expectations.
In French.
An intimate aerial encounter, Une rencontre suspendue brings together hair suspension, acrobatic play, guitar harmonies and a textured singing voice. Conceived by the collective Association VOILÀ VOILÀ, this short creation features aerial acrobat Lili Parson Piguet and musician Jeanne Pâris. The piece mixes fragile physicality and musical intimacy to trace a delicate complicity between movement and sound, where everyday materials become instruments of tension and tenderness. Presented as a compact, sensory performance within the festival context.
Scène Vagabonde’s seventh edition brings a compact program of contemporary theatre and music, presenting three contrasting stage works — “Par le bout du nez”, “Quadrille” and “Prima facie” — alongside a concert by Orchestre Tout Puissant Marcel Duchamp as part of La Bâtie-Festival de Genève. Across intimate stagings the festival favors inventive direction, close ensemble interplay and a balance of wit and intensity, offering encounters that privilege physical presence, tonal variety and rigorous dramaturgy.
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