On a stark white stage, three bodies meet — a man, a woman and a crow — and from this encounter a world is born. Performed by Baro d’evel’s founding duo Camille Decourtye and Blaï Mateu Trias, with the long-time companion crow Gus and six musicians from the Orchestre de Chambre de Genève, Là blends dance, circus, painting and music into an intimate, poetic exploration of language, gesture and emergence.
In French.
A darkly comic solo play about obsession and domestic chaos. When Michel finds a rare record he has long sought, he prepares a perfect hour to listen — but family, neighbours and a drip that will wreck the disc steadily intrude. The piece skewers selfishness with sharp humour and precise staging, combining intimate realism and heightened farce to probe human smallness and the desperate desire for solitude.
In French.
Now in its eleventh edition, Fête de l’Olivier stages dialogues between Arab and Mediterranean musical traditions and contemporary creation. The program gathers voices and instrumentalists such as Yasmine Hamdan, Trio Joubran and Retsina Cola, weaving intimate and powerful moments. Artists alternate between rooted repertoires and experimental approaches, inviting attentive listening and emotional resonance. The festival highlights improvisation, lyrical storytelling and cross-cultural collaboration.
Directed by Jérôme Bel, this collectively created theatre piece is written and performed by children aged 8 to 14. The work unfolds through improvisation, playful imagination and a celebration of creative freedom, inviting an immediate, joyful stage presence. The ensemble’s spontaneous scenes and open-ended dramaturgy emphasize collaboration and risk, offering spectators an intimate encounter with youthful authorship and theatrical experiment.
In French.
Chronicle of a fleeting liaison, this intimate theatrical piece examines the fragile architecture of desire and memory. Through concentrated scenes, the company maps the emotional aftershocks of a brief relationship, shifting between candid dialogue and charged silences. Lighting and sparse staging heighten moments of intimacy, while an attentive ensemble navigates tonal shifts from tenderness to unease. The production favors close observation and emotional clarity, inviting reflection on attachment and the traces left behind.
In French.
Composed by Louis Crelier with a libretto by Valérie Letellier, Requiem ad Pacem is presented as a newly created oratorio led by conductor Antoine Marguier. The Orchestre des Nations joins Chœur Lyrica-Opéra and Chœur Pro-Arte de Lausanne, with Michel Voïta as récitant, to shape a ritual soundscape that balances solemn choral writing and intimate solo passages. The work meditates on mourning and the search for reconciliation, enveloping audiences in dense harmonies and austere, luminous textures.
An intimate morning concert presented by OCG, offering a refined selection of chamber repertoire and lyrical pieces. The programme privileges clarity of tone, delicate textures and expressive phrasing, creating moments of quiet reflection and radiant intensity. Chamber musicians engage in close musical dialogue, highlighting melodic lines and subtle dynamics. The performance favors attentive listening and rewards with emotional depth, delicate colours and a sense of shared presence.
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