Born from the collaboration of Rodriguez Vangama, Fabrizio Cassol and Alain Platel, Coup Fatal blends opera, concert and dance into a jubilant hybrid performance. Thirteen musicians—mostly from the Democratic Republic of Congo—weave together baroque airs, rumba, lyrical voices and traditional songs, drawing on influences from Nina Simone to Vivaldi. The staging celebrates cultural and vocal encounters through visceral music-making and collective energy.
In French.
An intimate morning concert presented by OCG, offering a refined selection of chamber repertoire and lyrical pieces. The programme privileges clarity of tone, delicate textures and expressive phrasing, creating moments of quiet reflection and radiant intensity. Chamber musicians engage in close musical dialogue, highlighting melodic lines and subtle dynamics. The performance favors attentive listening and rewards with emotional depth, delicate colours and a sense of shared presence.
Directed by Françoise Courvoisier, this production of Anton Chekhov’s Oncle Vania — translated by Arthur Adamov — assembles a committed ensemble (Vincent Bonillo, Pierre Dubey, Bérangère Mastrangelo, Patricia Mollet-Mercier, Clarisse Morizot, Pierre Omer, Juliana Samarine, Edmond Vuilloud) to explore love, the passage of time and illusions lost. The staging, created with scenographer Gilbert Maire and painter André Kasper, uses Rinaldo Del Boca’s lighting, Pierre Omer’s music and Nicolas Le Roy’s sound to evoke both the comedy and the terrifying humanity of Chekhov.
In French.
Chronicle of a fleeting liaison, this intimate theatrical piece examines the fragile architecture of desire and memory. Through concentrated scenes, the company maps the emotional aftershocks of a brief relationship, shifting between candid dialogue and charged silences. Lighting and sparse staging heighten moments of intimacy, while an attentive ensemble navigates tonal shifts from tenderness to unease. The production favors close observation and emotional clarity, inviting reflection on attachment and the traces left behind.
In French.
Composed by Louis Crelier with a libretto by Valérie Letellier, Requiem ad Pacem is presented as a newly created oratorio led by conductor Antoine Marguier. The Orchestre des Nations joins Chœur Lyrica-Opéra and Chœur Pro-Arte de Lausanne, with Michel Voïta as récitant, to shape a ritual soundscape that balances solemn choral writing and intimate solo passages. The work meditates on mourning and the search for reconciliation, enveloping audiences in dense harmonies and austere, luminous textures.
Directed by Rémi Dufay, D’amour et d’eau fraîche is a stage adventure that celebrates movement, friendship and the unforeseen. Rémi Dufay and his ensemble probe margins and fragile frames, staging situations that slip away in a deliberately unsteady ceremony. The production blurs reality and magic, carrying the audience through a joyful, rocambolic wandering. A lively, generous performance that refuses stillness and favours continual transformation.
In French.
Veteran noise outfit Ramleh deliver an electric, rock-tinged set led by Gary Mundy on guitar, Stuart Dennison on drums, Anthony Di Franco on electric bass and Kevin Laska on synth. Their charged, abrasive sound blends distorted guitar, dense percussion and swirling electronics into a confrontational live experience. The evening continues with record selections by La Poya and Fuxy Lady, extending the event’s raw, underground energy.
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