Nuit des Bains presents an evening when the city’s contemporary-art circuit opens as a collective exhibition. Emerging and established local and international artists activate spaces with installations, performance, painting, photography, and video, offering a multifaceted survey of contemporary practices. The event emphasizes encounter and the public imagination, revealing tensions between intimacy and urban spectacle, and questioning how art inhabits shared environments.
Gina Proenza explores how language shapes power and human relationships. Working across sculpture, installation, drawing, and video, she uses words, symbols, and bodily gestures to question communication and meaning. Rooted in her Colombian and French heritage and bilingual upbringing, her practice examines the intersections of language, identity, and interaction.
Opening: Thursday 2 July, 18:00 (Nocturne d’été des Bains)
Vladimir Kartashov presents site-specific installations that unfold across historic island spaces, exploring temporal sequences and memory. Through sculptural interventions, architectural adaptations and subtle interventions in sacred interiors, the artist stages a choreography of objects and light that reconfigures perception of place and time. The series juxtaposes material rigor with ephemeral gestures, inviting reflection on duration, ritual and the layered histories embedded in built environments.
Opening: Friday 8 May, 19:30
In the presence of the artist
Musical performance by Manuel d’Amico Principle Double Bass of the Orchestra Regionale Filarmonia Veneta
The Tender Buttons exhibition offers a multidisciplinary exploration centered on buttons, delving into their identity and historical significance. Featuring over three hundred ceramic and glass buttons, the exhibition interacts with the museum’s works to highlight their role in both formal experimentation and socio-cultural narratives. The exhibition’s architecture evokes the commercial arcades of the 19th century, a pivotal era for button industrialization. Curated by Claire FitzGerald, the exhibition is supported by the Swiss Fashion Museum and showcases never-before-seen pieces from several prestigious collections.
The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.
Julian Charrière presents a major project that traces geological, climatic and planetary time through sculpture, installation, film and photography. Using stone, ice, coal, lava, metals and fossil matter as both material and subject, the works examine entangled histories of nature, extraction, industry and myth. Charrière compresses deep timescales into sculptural processes — coring glacial boulders repaired with precious metals, mechanically transforming ancient rocks, and reframing extractive landscapes as sites of destruction and wonder.
Cécile Koepfli creates a site-specific window installation of colorful, poetic drawings. Mischievous characters, everyday objects, and fragments of text assemble into a playful, sensitive imaginary world. The works, rendered directly on window panes, unfold as tableaux and narrative vignettes that invite viewers to imagine the activities and encounters that will animate the space.
A seek-and-find game encourages close looking and slow discovery across the illustrated surfaces.
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