27 – 28 June

Dialogues des Carmélites – Opéra

Booking Required

Francis Poulenc’s opera stands as a pillar of 20th-century French lyric theatre. This production places students in the demanding solo roles under the musical direction of Emmanuel Olivier, in a staging inspired by Yves Coudray. The story follows a religious community swept up in the turmoil of the French Revolution, exploring fear, faith and the need for redemption. Intimate choral textures, stark dramatic contrast and a restrained yet intense staging aim to immerse listeners in the women’s communal life and moral trials.

In French.

Route des Péniches,
2, Switzerland

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Photo Credit: DR

27 May – 25 June

Un Jackpot de rêve – comédie musicale

Performances

Théâtre de la Madeleine

Written and directed by Raphaëlle Farman, this musical comedy follows six eccentric lottery winners whose most improbable dreams suddenly come within reach. With the charismatic show host Macha and the scheming production director Florence, the ensemble embarks on escapades that leap from Arthurian chivalry to the surface of the moon. A troupe of spirited performers animates comic tableaux, while playful staging, brisk choreography and bursts of onstage magic create an exuberant, nostalgic atmosphere that celebrates imagination and folly.

In French.

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10 – 26 June

Claudine (j’aime pas l’bonheur)

Performances

Théâtre Alchimic

Claudine (j’aime pas l’bonheur) is a re-creation by Marjolaine Minot that probes the ambivalence of happiness through intimate theatrical language. The piece blends restrained physicality and lyrical monologue to map memory, longing and domestic disquiet. Minimal scenic devices and attentive sound design carve spaces of emotion, while a small ensemble negotiates shifts between humour and melancholy. The production favours fragile gestures and precise rhythms to evoke an uneasy, poetic atmosphere.

In French.

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Wednesday 24 June, 22:30

Jeremy Ratib & The Sunday Cartoons

Performances

Théâtre de l'Orangerie

Jeremy Ratib performs material from his album Backlot Country, a hazy window onto an adolescence in Los Angeles where Halloween spectres, bushfires that redden Pacific sunsets and empty pools echo post‑Y2K nostalgia amid kickflip cadences. Rooted in folk songwriting, the music unfolds as homemade psychedelic country‑rock emo, intimate and evocative. Ratib is joined by Valentin Liechti (drums, vocals), Robin Girod (bass, guitar, vocals), Flavie Ndam (saxophone, vocals), Lorraine Dinkel (guitar, vocals) and Lucas Churet (sound).

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23 – 28 June

Spirale Workshops 1 and 2

Performances

La Parfumerie

Spirale Workshops 1 and 2 showcase a thirty-year practice of transmission, research and intergenerational exchange. Under the direction of Michele Millner (Atelier 1) and Cathy Sarr with Patrick Mohr (Atelier 2), the project blends devised creation and collective laboratories. Atelier 1 develops a decolonial, antipatriarchal and radical laboratory that dialogues with figures such as Lady Macbeth and Nina. Participants include Marie Bondolfi, Yves Cerf, Mael Godinat and Jeanne Pasquier.

In French.

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24 June – 2 July

Violencia Rivas

Performances

Théâtre de l'Orangerie

Violencia Rivas is a brazen stage persona created by Léa Pohlhammer that channels a fictional Argentine yéyé singer claiming to have invented punk in the late sixties. On stage Pohlhammer and Adrien Barazzone form a combustible duo: she as the diva, he as her devoted companion. Julien Jaillot directs the actor work; Florence Minder collaborated on dramaturgy; Fernando de Miguel supplies music and sound while Pedro Saborido and Fernando de Miguel provide song texts. Aline Courvoisier designs costumes and Danielle Milovic and Loane Ruga the lighting. Coproduction: F.A.B Force Prod., Venedig Meer.

In French.

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Wednesday 24 June, 23:45

Douglas Vanille

Performances

Théâtre de l'Orangerie

Douglas Vanille is an intergalactic DJ performance merging live indie dance rhythms with dark disco textures. After fleeing the destruction of his home planet Kiwi32, the solitary DJ pilots a tiny vessel while pursued and battered by cosmic hazards. On stage the audience becomes his crew and the room a cockpit, guided by propulsive grooves and luminous sound design. Accompanied by his robotic companion K‑R4MEL, the show invites sustained movement and nocturnal reverie.

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Dialogues des Carmélites – Opéra