Home/Land is a participatory installation inviting reflection on the idea of home through intimate narratives and testimonies from people forced to flee. Visitors move through a miniature epic of audio testimonies, texts and tactile objects, listening, reading and exchanging with others. The work foregrounds memory, loss and the belongings we would choose to carry in an urgent departure, using simple scenography and everyday materials to create a sensitive, poetic experience.
The Tender Buttons exhibition offers a multidisciplinary exploration centered on buttons, delving into their identity and historical significance. Featuring over three hundred ceramic and glass buttons, the exhibition interacts with the museum’s works to highlight their role in both formal experimentation and socio-cultural narratives. The exhibition’s architecture evokes the commercial arcades of the 19th century, a pivotal era for button industrialization. Curated by Claire FitzGerald, the exhibition is supported by the Swiss Fashion Museum and showcases never-before-seen pieces from several prestigious collections.
Measures of Infinity brings together works by Susanna Bauer, Frankie Gao and Carol Prusa in a contemplative exhibition of drawings, installations and meticulously crafted objects. Bauer transforms fragile leaves into intricate, almost meditative compositions; Gao offers pared-back drawings and open installations that evoke cosmic structures; Prusa constructs pieces informed by scientific models and unseen phenomena. Across scale and material, the show explores perception, precision and the tension between the intimate and the vast, inviting close looking and slow attention.
Featuring pieces by Faye Toogood, Studiopepe, Domingos Totora and Clément Thévenot, DOMUM invites you to discover their new exhibition, taking inspiration from food shapes and colors: Bread&Butter.
Opening: Thursday 21 May at 18:00
Gina Proenza explores how language shapes power and human relationships. Working across sculpture, installation, drawing, and video, she uses words, symbols, and bodily gestures to question communication and meaning. Rooted in her Colombian and French heritage and bilingual upbringing, her practice examines the intersections of language, identity, and interaction.
Opening: Thursday 2 July, 18:00 (Nocturne d’été des Bains)
Minor Tides brings together three young photographers — Lina Geoushy, Sarah Jade Sullivan and Farren van Wyk — who centre portraiture in work that interrogates family histories and cultural heritage.
Through staged and documentary photographic portraits, the artists examine collective identity, colonial legacies and processes of reclamation: Geoushy revisits pioneering women in Egypt’s past; Sullivan documents youth in Saint Vincent and the Grenadines navigating economic and colonial afterlives; van Wyk stages family portraits that rework violent colonial iconographies and affirm mixed identities. The exhibition traces subtle currents of change beneath visible histories.
Opening: Wednesday 1 July, 18:00
The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.
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