Led by Simone Aubert’s live music, this circus-music piece features acrobats for whom aerial suspension is second nature. Against an original score, performers defy gravity to weave a precise airborne choreography that balances tension and lyricism. The intimate creation (2026) lasts about 30 minutes and is designed for a family audience, suitable from age 3. The presentation blends musical texture and physical poetry without dialogue.
Directed by Michele Millner and devised collectively by Théâtre Spirale’s Atelier 1, Three Queens examines feminine violence and power through fragments of Macbeth, The Seagull, The Caucasian Chalk Circle and new texts by participants. The production gathers actors in raw, tactile staging, with musical composition by Mael Godinat and Yves Cerf, movement by Jeanne Pasquier, collaboration and performance by Marie Bondolfi, costumes by Julie Delieutraz and technical work by Jules Bovard. The piece is intimate, political and unsettling, mixing classical echoes and contemporary voices.
In French.
Violencia Rivas is a brazen stage persona created by Léa Pohlhammer that channels a fictional Argentine yéyé singer claiming to have invented punk in the late sixties. On stage Pohlhammer and Adrien Barazzone form a combustible duo: she as the diva, he as her devoted companion. Julien Jaillot directs the actor work; Florence Minder collaborated on dramaturgy; Fernando de Miguel supplies music and sound while Pedro Saborido and Fernando de Miguel provide song texts. Aline Courvoisier designs costumes and Danielle Milovic and Loane Ruga the lighting. Coproduction: F.A.B Force Prod., Venedig Meer.
In French.
Conceived and directed by Ágnes Havas, this itinerant festival combines cycle-tourism with a rich musical programme. Concerts range from classical and baroque to opera and jazz, presented across lakeside stages that dialogue with the landscape. The project foregrounds sustainable cyclo-tourism and cross-border artistic cooperation, pairing performances with local gastronomy. Lighting and acoustic choices favour intimacy and clarity, while artists of international calibre create moments of contemplative lyricism, conviviality and sensory immersion around the rhythms of the lake.
But what is “reality”?
A forgotten cassette in a tape recorder becomes the key to a journey through time.
Two coworkers, Kurt and Willard, are plunged into the heart of an unprecedented psychiatric experiment where delirium and lucidity intertwine.
They must piece together a puzzle that will lead them to the very edge of madness. “Why are you so angry? …Because all of a sudden I was taking control of something? …Huh? Until now you were used to completely controlling the situation, and now this strangeness has crept into your life…”
In French.
Francis Poulenc’s opera stands as a pillar of 20th-century French lyric theatre. This production places students in the demanding solo roles under the musical direction of Emmanuel Olivier, in a staging inspired by Yves Coudray. The story follows a religious community swept up in the turmoil of the French Revolution, exploring fear, faith and the need for redemption. Intimate choral textures, stark dramatic contrast and a restrained yet intense staging aim to immerse listeners in the women’s communal life and moral trials.
In French.
Celebrating its 43rd edition, AMR Festival gathers a constellation of jazz and improvised-music projects over five days, offering 27 concerts that range from big-band workshops and modern-jazz sessions to intimate improvised sets and family programming. Artists and ensembles explore spontaneity, collective listening and rhythmic invention, with programming that favours interplay and sonic risk. Lighting and sound design shape shifting atmospheres, from hushed, introspective moments to exuberant, groove-driven peaks, transporting listeners through vivid, communal encounters.
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