Stranger Strings is a playful, pedagogical concert for children performed by a clever string quartet from GECA. The program travels across time, juxtaposing repertoire from Mozart to contemporary composer Julia Wolfe, and mixes varied pieces with inventive staging. The musicians engage the audience through challenges and collaborative tasks, turning listening into an active, exploratory experience that encourages curiosity, musical discovery and collective participation.
Jorge Aragão brings a lifetime of samba to the stage in a program marking fifty years of songwriting and performance. His warm, unhurried delivery shapes songs that feel like lived stories—rooted in street culture, collective memory and Brazilian popular resilience. The concert unfolds as a generational transmission, where voice, rhythmic pulse and intimate phrasing invite reflection and communal joy. Lighting and sound craft close, enveloping atmospheres that foreground human warmth and the music’s soulful swing.
British singer-songwriter Amaria BB brings a bold fusion of R&B, dancehall and contemporary pop to the GET OUT project. Her smoky vocals and syncopated rhythms mingle with tightly produced beats, while the evening’s DJs — Spice&Curls, Guessi, Senjadi and Bobby Melo — weave seamless transitions that keep the energy taut and immersive. The program highlights contrasts between introspective balladry and dancefloor-ready grooves, delivered with London grit and a playful, modern edge.
Born in Cornwall around musician Will Greenham, Blind Yeo blends psych‑folk, krautrock and psychedelic rock into expansive, trance‑like songs. Electric guitars weave repetitive patterns over deep bass and insistent rhythms, while occasional vocal lines drift into the instrumental texture. The project functions as a constellation of collaborators: Sam Pert (drums), Phil Self (guitars), Henry Greenham (synths), Philippa Blum (cello), Jake Sheridan (bass), Anouska Helm (voice, guitar) contribute to a fluid, evolving sound that favors slow-building, immersive grooves.
But what is “reality”?
A forgotten cassette in a tape recorder becomes the key to a journey through time.
Two coworkers, Kurt and Willard, are plunged into the heart of an unprecedented psychiatric experiment where delirium and lucidity intertwine.
They must piece together a puzzle that will lead them to the very edge of madness. “Why are you so angry? …Because all of a sudden I was taking control of something? …Huh? Until now you were used to completely controlling the situation, and now this strangeness has crept into your life…”
In French.
Violencia Rivas is a brazen stage persona created by Léa Pohlhammer that channels a fictional Argentine yéyé singer claiming to have invented punk in the late sixties. On stage Pohlhammer and Adrien Barazzone form a combustible duo: she as the diva, he as her devoted companion. Julien Jaillot directs the actor work; Florence Minder collaborated on dramaturgy; Fernando de Miguel supplies music and sound while Pedro Saborido and Fernando de Miguel provide song texts. Aline Courvoisier designs costumes and Danielle Milovic and Loane Ruga the lighting. Coproduction: F.A.B Force Prod., Venedig Meer.
In French.
Directed by Michele Millner and devised collectively by Théâtre Spirale’s Atelier 1, Three Queens examines feminine violence and power through fragments of Macbeth, The Seagull, The Caucasian Chalk Circle and new texts by participants. The production gathers actors in raw, tactile staging, with musical composition by Mael Godinat and Yves Cerf, movement by Jeanne Pasquier, collaboration and performance by Marie Bondolfi, costumes by Julie Delieutraz and technical work by Jules Bovard. The piece is intimate, political and unsettling, mixing classical echoes and contemporary voices.
In French.
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