29 – 30 September

Thomas Wiesel

Booking Required

Swiss comedian Thomas Wiesel returns with his fifth solo show, Société écrans, a sharp, observational set that dissects our screen addiction across generations. He confesses spending nearly eight hours a day under blue light and turns his own digital habits into comic material—searches that spiral, headline overload and endless sports clips. Between fake news, TikTok dances and artificial intelligence, Wiesel mixes irony and self-mockery to expose modern anxieties, delivering a pointed, fast-paced performance with assured timing.

In French.

131 route de Chancy

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Photo Credit: DR

23 – 28 June

Three Queens

Performances

La Parfumerie

Directed by Michele Millner and devised collectively by Théâtre Spirale’s Atelier 1, Three Queens examines feminine violence and power through fragments of Macbeth, The Seagull, The Caucasian Chalk Circle and new texts by participants. The production gathers actors in raw, tactile staging, with musical composition by Mael Godinat and Yves Cerf, movement by Jeanne Pasquier, collaboration and performance by Marie Bondolfi, costumes by Julie Delieutraz and technical work by Jules Bovard. The piece is intimate, political and unsettling, mixing classical echoes and contemporary voices.

In French.

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23 – 28 June

On ne peut pas rouler sa maison, mais on peut habiter sa bagnole

Performances

Théâtre Les Salons

Two retired clowns revisit moments from their lives with mischievous tenderness and a sharp, critical eye. The piece unfolds as a series of rapid transformations—each reinvention arriving every three minutes—blending physical comedy, memory and gentle satire. The performers invite laughter through self-mockery and shared recognition, balancing fragility and spirited resilience. Staging privileges rhythm and gesture, creating a warm, bittersweet atmosphere that observes the world through playful yet clear‑eyed humour.

In French.

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24 – 28 June

l’AMR aux Cropettes

Performances

Parc des Cropettes

Celebrating its 43rd edition, AMR Festival gathers a constellation of jazz and improvised-music projects over five days, offering 27 concerts that range from big-band workshops and modern-jazz sessions to intimate improvised sets and family programming. Artists and ensembles explore spontaneity, collective listening and rhythmic invention, with programming that favours interplay and sonic risk. Lighting and sound design shape shifting atmospheres, from hushed, introspective moments to exuberant, groove-driven peaks, transporting listeners through vivid, communal encounters.

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23 – 28 June

Spirale Workshops 1 and 2

Performances

La Parfumerie

Spirale Workshops 1 and 2 showcase a thirty-year practice of transmission, research and intergenerational exchange. Under the direction of Michele Millner (Atelier 1) and Cathy Sarr with Patrick Mohr (Atelier 2), the project blends devised creation and collective laboratories. Atelier 1 develops a decolonial, antipatriarchal and radical laboratory that dialogues with figures such as Lady Macbeth and Nina. Participants include Marie Bondolfi, Yves Cerf, Mael Godinat and Jeanne Pasquier.

In French.

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Wednesday 24 June, 18:30

NextGen: Apréo & Concert

Community Performances

Société de lecture

The Apéro Concert d’Été offers a relaxed and convivial musical experience that blends live performance with the spirit of Geneva’s summer evenings. Bringing together audiences in an intimate and festive atmosphere, the event combines quality music, cultural discovery, and social exchange around an open-air apéritif setting. Designed as a moment of encounter and celebration, it highlights local artistic talent while creating a warm and accessible space where music, conversation, and seasonal conviviality come together naturally.

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Wednesday 24 June, 21:30

Judith*G — Live

Performances

Théâtre de l'Orangerie

Trained as an actress and inherently intense, Judith*G is a DIY pop star who transforms sleepless nights into joyously cathartic songs. Her witty, heart‑piercing lyrics sit atop catchy melodies, nostalgic synth‑pop and 90s electro‑rock guitars. Humour, self‑deprecation, handmade merch and playful movement complete a raw, energetic stage persona that invites both laughter and close‑up emotional moments.

In French.

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Thomas Wiesel