Tania Dutel returns with a new fourth show that sharpens her observational wit into a daring theatrical experiment. Mixing stand-up energy with fragmented narrative and quicksilver timing, she probes miscommunication, identity and the chaos of modern intimacy. Minimal staging and precise rhythms magnify bursts of tenderness and corrosive humour, creating a performance that unsettles and delights. A compact, incisive evening from a fiercely original voice.
In French.
Born in Rio de Janeiro, Bella Nobre grew up immersed in music alongside her father, a musician and producer, shaping an early universe between soul and tropicalism. After success in Brazil she settled in Switzerland, forming a tight ensemble for a colourful, festive live project driven by collective energy. Noted on stages such as the Montreux Jazz Club, she emerges as an authentic, bold and internationally minded artist whose performances blend warmth, rhythm and luminous vocals.
Directed by Jérémy Guérard, La femme parfaite traces a daughter’s confrontation with her dying mother and the inherited patterns that bind three generations of women. Through intimate staging, moments of therapy and delicate origami sequences, the production untangles memory, family conditioning and desires for emancipation. The piece weaves ghosts of the past into a portrait of love and liberation, pairing rigorous dramaturgy with emotional clarity. The performance is followed by a discussion with the audience.
In French.
With an authentic, melancholic yet luminous voice, Dinaa transforms personal stories into songs. As singer-songwriter and composer she spent two years on the road alone with her guitar, giving more than a hundred concerts and sharing stages with renowned artists. Her debut album, Maison Vide, blends pop-rock, blues-soul and hip-hop–infused lyricism to map a raw emotional territory, singing of love, fractures and inner struggles with sincerity and restrained power.
Recluses Fest celebrates its fifth anniversary with two nights of high-energy punk and alternative hip-hop. The programme pairs UK punk veterans The Toy Dolls and French hard-hitters Svinkels with eclectic support acts Total Dézordre, Billy Ze Kick and Swiss outfits Les Blattes and Pistache Bitume. Expect raucous riffs, irreverent lyricism and a raw, communal atmosphere driven by tight musicianship and DIY spirit. Curated in coproduction with Recluses Fest, the bill spotlights cross-border scenes and uncompromising live intensity.
Told as a solo performance, this piece follows a woman as she remembers the films that shaped her life and blurs the line between cinema and memory. Through references to science-fiction sagas and cinematic archetypes — the woman-soldier, the survivor, the reluctant mother — the show probes identity, fear of change and the ways stories migrate from screen to skin. Sparse staging and intimate narration create a haunting, introspective atmosphere.
In French.
For his final production as a theatre director, Jean Liermier revisits Tennessee Williams’s autobiographical classic about memory, longing and family. Set in the 1930s American South, the staging gathers a company around Laura, here embodied by Aurélia Thierrée, with Cyprien Colombo, David Gobet and Clotilde Mollet completing the ensemble. Liermier’s direction emphasises fragile interiors and poetic movement, offering a liberating, weightless atmosphere that balances tenderness and uneasy nostalgia.
In French.
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