Comedian and actor Justine Le Pottier recounts her life on stage in a wry, intimate solo show. She navigates the upheaval of moving to Paris, drama school trials, misfired auditions, and the early YouTube boom with candid humour and vivid anecdotes. Interwoven are personal stories about relationships, her dog and an unexpected encounter with a Formula One driver, creating a blend of confessional storytelling and sharp observational comedy.
In French.
Nicknamed “the man with singing fingers,” Rəhman Məmmədli blends mugham traditions, Karabakh folk influences and psychedelic electric guitar into a hypnotic, singular sound. Joined by Tural Məmmədli on keys and Elshad Abdulrahimov on percussion, he promises an intense evening of Eastern melodies and blazing solos.
Directed as an in situ promenade, this performance follows two protagonists, P. and B., through the city’s hidden seams. B. conspires to seed an exuberant vegetal uprising, mastering invasive plants to unsettle urban order. P. slips into the city’s blind spots, picking locks and slipping through barriers to reveal alternative ways of inhabiting public space. The show mixes physical theatre, poetic staging and ecological imagination to explore rewilding, intimacy and civic subversion.
In French.
Created collectively by the company À l’Ouest with Guillaume Pidancet, this inventive staging reimagines Charles Perrault’s Bluebeard for families. Performed in a mobile truck‑theatre that becomes a ‘suitcase of dreams,’ the production blends playful storytelling, poetic imagery and close‑up interaction to transform a dark tale into a gentle exploration of curiosity and trust. The intimate ensemble features Pierre Boulben, Hugo Braillard and Loubna Raigneau.
In French.
Claudine (j’aime pas l’bonheur) is a re-creation by Marjolaine Minot that probes the ambivalence of happiness through intimate theatrical language. The piece blends restrained physicality and lyrical monologue to map memory, longing and domestic disquiet. Minimal scenic devices and attentive sound design carve spaces of emotion, while a small ensemble negotiates shifts between humour and melancholy. The production favours fragile gestures and precise rhythms to evoke an uneasy, poetic atmosphere.
In French.
REQUIEM POUR DU POGNON is a musical comedy that unfolds as a blackly comic inheritance farce. After the death of wealthy entrepreneur Marcel, a large, fractious family gathers to read the will: a humiliated widow, a lovesick secretary, an avaricious mistress, a dull son, neurotic daughters and grasping cousins. Songs, ensemble numbers and moments of karaoke expose secrets, rivalries and petty betrayals, shifting between biting satire and tender absurdity while the stage pulses with chaotic, carnival-like energy.
In French.
Titi Robin and Roberto Saadna, iconic figures in the world of Gypsy music, reunite for a new show as part of the Plan-les-Ouates Cultural Season 2025-2026. Their collaboration, which dates back to the 1990s, has been instrumental in ushering in a new wave of Gypsy music. Joined by the ensemble Ma Gavali, they present an original repertoire sung in Catalan Gypsy and Spanish, reflecting the essence of their albums “Gitans” and “Un ciel de cuivre.”
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