5 – 6 June

Open Doors 2026

Open Doors 2026 gathers eleven associated artists of the 25–26 season to share experimental proposals and fragments rather than finished pieces. Across two days they present short performances, rehearsed glimpses and collaborative attempts that prioritize risk, spontaneity and exploration. The program highlights a plurality of practices—sound, movement, film and performance—by Sophie Conus, Séraphine Sallin Mason, Pierre Ripoll, Filmsaaz, Pauline Coquart, Olha Semchyshyn, Mehdi Djouad, Alice Botelho, Noé Girard, Elina Crespi and Agathe de Limoges. An invitation to witness process and immediacy.

Place de la Madeleine 1,
1204 Genève
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29 May – 7 June

More than simple program announcements, these events are true theatrical “green flashes” — moments of celebration linking the end of one season to the start of the next. For this final edition (note the “s” in “presentation(s)”), director Jean Liermier and a constellation of surprise guests will present a lively retrospective: a collage of excerpts, images, sounds, and behind-the-scenes stories collected over eighteen years (2008–2026). The audience is invited on a playful and spectacular journey into the creative heart of the theatre, to relive its highlights, secrets, and emotions — each evening, of course, concluding with a vibrant round of applause.

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1 – 6 June

Students present a series of performances showcasing pieces developed during the academic year. The programme includes solo and ensemble works across music, theatre and experimental forms, emphasising collaborative creation, stylistic exploration and stagecraft. Intimate presentations alternate with more elaborate stagings, highlighting movement, sound design and dramaturgy. The series offers a window on emerging talent and the diverse approaches fostered in the teaching environment.

Tuesday 2 June, 19:00

Conducted by Kirsty Griffiths and Hélène Xiao, this choral programme brings together the UN Choir Geneva, the Geneva Chinese Choir and a Shanghai ensemble in a shared exploration of cultural dialogue and musical unity. Repertoire ranges from liturgical and traditional songs to contemporary choral arrangements, emphasising blend, timbre and communal singing. The evening frames voices as a bridge between cultures, offering luminous harmonies and moments of intimate resonance as choirs respond to one another across languages and traditions.

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