Friday 11 December, 20:00

PLK – Tour 2026

Booking Required

French rapper PLK returns with a large-scale tour showcasing his commanding stage presence and polished pop‑rap songwriting. The concert promises a visually driven production with dynamic lighting, choreography and cinematic video to match dramatic beats and catchy hooks. Expect a mix of high-energy anthems and more intimate tracks, where tight arrangements and layered vocals highlight both immediacy and lyrical introspection. The overall experience is designed to be immersive, kinetic and emotionally charged.

Route des Batailleux 3,
1218 Le Grand-Saconnex

Photo Credit: DR

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Photo Credit: DR

23 April – 13 May

Comeback

Performances

POCHE /GVE

Performed and choreographed by Eugénie Rebetez, COMEBACK is a solo exploration of artistic, female and maternal identity. On stage she shifts through extravagant costumes and a blend of choreography, song and gesture, crafting scenic images that are both poetic and comic. The work moves between introspection and humour, intertwining contemporary dance and stand-up rhythms to question the artist’s status. Co-produced by Tanzhaus Zürich, Casino Théâtre de Rolle, Théâtre Boulimie and LE POCHE, it offers an intimate, unsettling and hilarious journey.

In French.

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22 April – 9 May

Henry IV

Performances

Théâtre du Grütli

Power struggles take center stage in this political and human narrative, offering a sharp reflection on legitimacy, chaos, and the quest for identity. The production incorporates a modular set design with models, puppetry, and contemporary projections to craft an epic theater experience that blends comedy and tragedy, rooted in past and present crises.

In French.

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28 April – 13 May

Hé, Prométhée !

Performances

Théâtre du Grütli

A solitary man ventures through the desert in search of Prometheus, blaming the gods for igniting a consuming fire within each human. This monologue delves into the connections between ancient tragedy and contemporary turmoil, examining desire and existence through the lenses of love and creation, all in pursuit of an illuminating fire that does not consume.

In French.

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Friday 1 May, 21:00

Maurice Magnoni — iNiT

Performances

AMR

Alto saxophonist Maurice Magnoni presents iNiT, a 60-minute solo improvisation that traces an intimate study of intuition and sound. Drawing from years of spontaneous practice, Magnoni sculpts raw fragments into evolving textures, balancing controlled motifs with moments of chaotic release. Sparse silence and dense multiphonics create a shifting acoustic landscape, while attentive micro-phrasing and dynamic shading invite close listening. The piece foregrounds process over form, offering a concentrated, immersive musical journey.

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21 April – 3 May

Pères

Performances

Théâtricul

Pères is a poetic ensemble piece directed by Lefki Papachrysostomou that interrogates fatherhood today. Texts by Julie Annen, Nicolas Tavaglione and Miguel Fernandez‑V are embodied by four actors — Dimitri Anzules, Angelo Dell’Aquila, Serge Martin and Jef Saintmartin — and framed by an all‑female creative team. Lighting by Claire Firmann, sound by Frédérique Jarabo and costumes by Lys Tell shape intimate scenes that alternate tenderness, duty and strain. The work explores filiation, grief and gratitude with rigorous stagecraft and quiet intensity.

In French.

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21 April – 10 May

Ivanov

Performances

Théâtre de Carouge

Chekhov’s Ivanov follows Nikolai Ivanov, a middling Russian landowner crushed by debt and by the slow decline of his wife, Anna Petrovna, who is dying of tuberculosis. Across four acts, his inertia curdles into melancholy and self-destruction, swinging between biting comedy and harrowing despair. Written in a ten-day burst in 1887, when Chekhov was only twenty-seven, the play crackles with youthful urgency as tragedy and humor intertwine.

Director–actor Jean-François Sivadier infuses this new staging with his distinctive theatrical energy, pairing veteran performers with fresh faces to reignite the play’s original heat. Echoing Gustav Mahler’s dictum that “tradition is not the worship of ashes, but the preservation of fire,” the production seeks to keep Chekhov’s raw, combustible spirit blazing on today’s stage.

In French. Ages 16 and up.

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PLK – Tour 2026