23 April – 3 May

Face à des artistes

Booking Required

A group of young street artists, led by Serval, present site-specific street-art interventions imagining a new façade. Through murals, stencils and large-scale painting they engage with references to Liotard and Serval, reworking historical echoes into a contemporary urban language. The works question collective memory and public identity, blending figuration and abstraction with ephemeral techniques and bold colour. The project reveals how a new generation reclaims architectural surfaces to propose civic narratives.

Round table 30th April in French.

Promenade des Rêveries 2
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Photo Credit: Anna Pizzolante

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17 – 26 April

Archipel Festival presents a selection of independent cinema that foregrounds experimental narratives, emerging voices and boundary-pushing forms. Over a curated programme, filmmakers explore intimacy, migration, memory and the politics of image through bold cinematography and attentive sound design. The festival prioritises debut works and daring auteurs, offering concentrated encounters with contemporary film practices. Programming balances short and feature-length films, panel conversations and artist-led sessions that frame the films within wider cultural and aesthetic debates.

12 March – 9 May

The exhibition brings together three artists, Nnena Kalu, Linda Bell and Marie Gyger, whose practices examine repetitive gesture as a daily discipline. Gyger reflects on the value of labour, while Bell and Kalu pursue more spontaneous, obsessive procedures. Their works, ranging from repetitive drawings and object accumulation to installations and assembled images, show how accumulation sculpts pictorial forms and material narratives, inviting reflection on labour, ritual and the construction of visual meaning.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

22 April – 9 May

Joël Alessandra presents a personal exhibition of travel sketches and drawings gathered from journeys in Chad, Saudi Arabia and Mauritania, framed around his recent album “Déserts, dans l’infini des extrêmes”. The presentation includes nearly forty original pages from the graphic novel Les Voyages d’Ibn Battûta, as well as works created for Je est un autre and La Force des femmes. For this project the artist made new drawings of Carouge reproduced as postcards in partnership with the city.

Opening 22 April 2026 from 18:00 to 20:30 in the presence of the artist

Closing 9 May 2026 from 11:00 to 17:00 in the presence of the artist

In French.

12 March – 16 May

Architecture of Memories is a two-person exhibition by German artist Alina Frieske and Swiss artist Tobias Nussbaumer. Frieske reworks fragments of online imagery into digital collages that question image production and contemporary visual culture. Nussbaumer constructs layered virtual and architectural spaces through detailed pencil and ink drawings based on personal archives. Together their works probe how images configure memory, spatial perception and identity, juxtaposing digital fragmentation with meticulous draughtsmanship.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

2 April – 17 May

Documents d’artistes Genève marks five years with Five Years, Stuck on My Eyes, a multifaceted exhibition gathering more than 40 affiliated artists. Through collaborative and networked practices the show presents works across media, exploring collective identity, artistic networks and contemporary social concerns.
Three distinct curatorial positions (Marie Bassano, Jill Gasparina, Caroline Honorien) and a capsule curated by Laurence Favez offer intersecting perspectives that reveal how collaboration shapes artistic identity and practice.

16 March – 17 October

Dany Gignoux (photographer) and poet Georges Haldas present a compelling dialogue between documentary photography and lyrical prose. The exhibition brings together photographs and written fragments that register everyday life in Geneva’s cafés, combining on-the-spot reportage with memory-infused “prose inspirée.” Through intimate black-and-white images and spare, evocative texts the works transfigure mundane scenes into poetic testimony, revealing social undercurrents and human tenderness. Archival materials frame this historic encounter between two generations of cultural chroniclers.

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