Julien Lieb performs songs from his debut album Naufragé, offering an intimate, vocal-led recital that traces resilience and longing. After reaching the Star Academy final and earning the NRJ Music Awards Revelation (2025), he shapes a sensitive, refined universe where every lyric feels personal. His voice conveys an inward journey, alternating tender confession and luminous phrasing, supported by subtle arrangements that foreground emotion and storytelling.
In French.
Step into a warm, woven world of stories imagined by Barbara Sauser, creator of the tricot‑contes. Tales are spun with the strength of thread, the warmth of wool and the softness of silk. Children are invited to hear living stories that spark imagination, share thrills and laughter, and bring the magic of theatre closer. Through vivid voices and sensory storytelling, young audiences explore feelings, dreams and growing up.
In French. Kids ages 6 and up.
Directed by Françoise Courvoisier, this production of Anton Chekhov’s Oncle Vania — translated by Arthur Adamov — assembles a committed ensemble (Vincent Bonillo, Pierre Dubey, Bérangère Mastrangelo, Patricia Mollet-Mercier, Clarisse Morizot, Pierre Omer, Juliana Samarine, Edmond Vuilloud) to explore love, the passage of time and illusions lost. The staging, created with scenographer Gilbert Maire and painter André Kasper, uses Rinaldo Del Boca’s lighting, Pierre Omer’s music and Nicolas Le Roy’s sound to evoke both the comedy and the terrifying humanity of Chekhov.
In French.
Directed and performed by Eve Aouizerate, Amours subversives stages a wry, intimate interrogation of gender and desire. With performers Mathilde Lyon and Dylan Poletti, the piece pivots on a provocative premise — a young woman’s decision to abandon a nascent career for the tradwife ideal — and unfolds as a personal theatrical essay on power, intimacy and the contradictions of femininity in 2026. Sparse staging and candid narration create a fierce, tender atmosphere.
In French.
Electron Festival is one of Europe’s leading festivals dedicated to electronic culture, bringing together pioneering artists, musicians, visual creators, researchers, and audiences through an ambitious multidisciplinary programme. Exploring the intersections of electronic music, digital arts, audiovisual performance, technology, and club culture, the festival offers immersive concerts, live performances, exhibitions, workshops, talks, and participatory experiences that celebrate both artistic innovation and experimentation.
Directed by Nathalie Cuenet and written by Valérie Poirier, Dire adieu is performed by Compagnie Volodia. The piece stages fragmented conversations between a daughter and her mother, probing a quest for recognition and the fragile possibility of reconciliation. Its form recalls the codes of Greek tragedy, using heightened language and concentrated staging to explore memory, silence and unresolved grief. The ensemble creates a tense, intimate atmosphere that makes emotional rupture palpable.
In French.
Conductor Stanislava Nankova leads the Liederkranz-Concordia Choir with an ad hoc symphony orchestra, featuring soloists Fanny Utiger (soprano), Oscar Esmerode (tenor) and Sacha Michon (baritone). The programme juxtaposes operatic arias by Puccini, Boito and Mascagni with sacred and Classical choral pages by Mozart, tracing a path between darkness and light. The music alternates visceral verismo intensity and luminous choral spirituality, creating a dramatic, emotionally charged sound world that pivots between suffering and hope.
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