The Mercredis Art Party 2026 programme sets the tone for a series of alternative evenings at espace_L, with a calendar of events exploring the theme of diversity. Through performances, exhibitions and encounters, the programme invites collective reflection sparked by artists and their work, and is rooted in the relationship between the artist and the world around them.
This Wednesday marks the opening of a new exhibition by artist Emmanuelle Mohnblatt.
The Tender Buttons exhibition offers a multidisciplinary exploration centered on buttons, delving into their identity and historical significance. Featuring over three hundred ceramic and glass buttons, the exhibition interacts with the museum’s works to highlight their role in both formal experimentation and socio-cultural narratives. The exhibition’s architecture evokes the commercial arcades of the 19th century, a pivotal era for button industrialization. Curated by Claire FitzGerald, the exhibition is supported by the Swiss Fashion Museum and showcases never-before-seen pieces from several prestigious collections.
ELLES brings together powerful contemporary Aboriginal women artists whose work bridges ancestral storytelling and modern abstraction. Featuring major figures such as Emily Kam Kngwarray and Mirdidingkingathi Juwarnda Sally Gabori, alongside artists from the Bérengère Primat Collection / Fondation Opale, the exhibition at the Musée Rath highlights symbolic, vibrant works rooted in land, memory, and spirituality. Between tradition and contemporary expression, these intimate visual cartographies celebrate the deep connection between culture, nature, and creation.
VideoDatabase – Cartes blanches 2026 gathers four curatorial carte blanche projects that reframe a public video collection through screenings and artist-led playlists.
Conservator-restorer Eléonore Bernard, dancer-choreographer Lucy Nightingale, programmer Christophe Piette, and curators Marie Jeanson and Denis Schuler each present selections of video and moving-image works ranging from early video art to experimental contemporary pieces.
The series explores archival practices, performative temporality, and the shifting histories of moving-image mediums, prompting reflection on preservation, context and modes of display.
Morpho is the first photographic exhibition by Lamine Jammeh (Lemz.O) that honors dancers who assert their identities beyond appearance. Through staged portraits and a sensitive visual language, Jammeh explores themes of identity, embodiment and performative selfhood. The series celebrates diversity, courage and the expressive power of movement, presenting intimate, high-contrast images that foreground presence and gesture. Scenography by Lola Delbec and portraits include Sofiane Chalal, Missy NRC, Samantha Panda Laley, Maela Bouguila and Nicolas Meyapan.
Swiss artist Grégory Sugnaux presents a body of paintings that stage ambiguous, often hybrid figures—part human, part animal, serial androids and distorted, sometimes monstrous bodies. Combining grotesque allusion with ironic self-reflection, he mixes genres and pictorial techniques to render surfaces alternately smooth and vibrating, fracturing legibility.
A composed soundtrack threads through the installation, amplifying the exhibition’s uneasy pulsation. The works negotiate a fragile balance between fascination and self-critique, revealing vulnerability beneath playful, unsettling imagery.
Pleasing the Spirits invites you on a journey through the Barbier-Mueller Collection, showcasing artworks from around the globe. Curated by Séverine Fromaigeat and Paul Maheke, the exhibition offers an open-ended exploration of diverse objects, awakening spirits and uncovering territories to discover.
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