Formed by Jaklin and Louis, Ladaniva is a duo that fuses Balkan sonorities and Armenian roots with Anglo-Saxon pop, reimagining traditional folk through contemporary arrangements. Their sound balances intimate vocal lines and vivid instrumental textures, where modal melodies meet modern rhythms. The performance unfolds as a conversation between memory and reinvention, offering warm, transportive moments and energetic bursts that invite close listening and emotional resonance.
Featuring pianist Gabriel Zufferey and the duo of Vincent Schmidt (guitar, oud) and Natan Niddam (piano, vocals), this double bill contrasts intimate lyricism with adventurous timbres. Zufferey — a Montreux Special Jury Prize winner — continues his Bill Evans–inspired exploration with a contemporary touch; the HEMU-trained duo, recent winners of JazzContreBand 2025, weave oud, guitar and piano into textured dialogues. Expect close interplay, warm harmonic language and rhythmic surprises that shift between tenderness and intensity.
Choreographer Chiara Bersani invites the audience into the undergrowth of an imagined forest, performed in duo with dancer Elena Sgarbossa and a group of workshop participants. The piece stages bodies limited by disability to probe movement, survival and collective care. Inspired by confinement and the inequalities revealed by the pandemic, it turns the stage into an ecosystem — a vibrating floor, layered soundscape and a shared spatial attention — where small gestures, bodily memory and vulnerability become transformative forces and the basis for a newly imagined community.
On Season 25–26, Christoph Grab’s SHAPE & FORM ensemble sculpts music that breathes, born of motifs and intervals and full of sudden changes. Without fixed chords, a linear, wandering harmony carries collective improvisation: alto and tenor saxophones (Christoph Grab), trumpet (Lina Allemano), piano (Matthieu Mazué), double bass (Christian Weber) and drums (Dieter Ulrich). Between jazz, contemporary-classical colours and pulsating rhythms, the group builds a dense, open sound space where structure and spontaneity evolve in equal measure.
“The Selfie Concert” by Ivo Dimchev at Maison Saint-Gervais is an interactive performance where the artist sings only when spectators take a selfie with him. This concept challenges the notions of narcissism and the interdependence between stars and fans, raising questions about perception and existence. The show highlights our mutual need for both the artist and audience to bring the event to life.
At La Parfumerie, “VERTIGES” by Catherine Tinivella Aeschimann takes us to the base of the Eiger’s north face, where five tourists follow the climb of mountaineer Ueli Steck. Turning simple observation into an intense immersion, they experience the emotions of Steck and his partner. This piece, a blend of sports commentary and alpine storytelling, delves into our connection with achievement and performance, while also recalling the ghosts of the Eiger’s victims. Directed by Tamara Fischer, this show offers a communal and introspective experience.
In French.
Under the direction of conductor Liu Cha, the China National Traditional Orchestra presents a program that spans orchestral suites and intimate concertos. Soloists Li Chao (erhu), Zhang Jiali (guanzi) and Dong Xiaolin (pipa) bring virtuosic lyricism to works by Liu Tianhua, Tan Dun and Guo Wenjing, among others. Textures shift between shimmering plucked strings, piercing wind colors and resonant percussion, creating a ritual, cinematic sound world. The evening traces tradition and modernity through instrumental dialogue and vivid sonic contrasts.
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