Pour un temps sois peu is a powerful solo piece by Laurène Marx in which she recounts the life of a trans woman through razor-sharp, intimate detail. Text and performance by Laurène Marx, directed by Laurène Marx and Fanny Sintès, with lighting by Solange Dinand. The show blends anger, wit and tenderness to confront medical procedures, violences, social erasure and heteronormative pressures, shaping a raw, urgent language that reclaims lived experience.
In French.
Lost love, mistaken identities, and non-stop laughs collide in The Servant of Two Masters, presented by the English language theatre in Geneva. In this fast-paced classic by Carlo Goldoni—adapted by Lee Hall—hungry servant Truffaldino attempts to serve two masters at once, only to unleash a whirlwind of comic chaos. Sharp, physical, and irresistibly funny, this is classic comedy with a contemporary bite.
In English.
Rock on Stage Classic is an event offering musicians of all skill levels the chance to perform on stage, guided by André Schmid, the former lead singer of the Geneva band Ça va chier. Participants can perform solo, with their own accompanists, or be supported by a team of professional musicians.
Now in its 28th edition, Voix de Fête gathers a chorus of francophone voices across nearly fifty concerts on a dozen stages. The programme juxtaposes rap, chanson, electro and world musics, presenting artists such as Oxmo Puccino with guest Yao, Vincent Delerm, MPL, Les Fils du Facteur (with Compagnie des 10 Doigts en Cavale in a chant‑signed project), Sam Sauvage, Marguerite, GiedRé and others. A tribute to Michel Bühler brings several interpreters together, while spontaneous jam nights and collaborative sets foreground live intensity and cross-genre dialogue.
Hend Jouda performs a powerful Arabic reading that traces the experience of war, precarity and the fragile hope of renewal. Her voice, carried among intimate anecdotes and universal gestures, fragments everyday life while carving a poetic space. Translator and collaborator Henri Jules Julien provides a reflective translation and outside perspective, and Youness Atbane shapes the sound environment to heighten textures and silence. Presented with French surtitles, the performance balances urgency and tenderness.
Ingrid Hansen, a puppet artist from the Jim Henson Company (Fraggle Rock, Sesame Workshop), stages a surreal cabaret of illusions and absurd comedy. The variety show is led by Florence, a mischievous grandmother figure, and mixes bold cinematic video, close‑ups of everyday objects projected large, puppetry and daring sleights to create impertinent, often erotic vignettes. The piece juxtaposes tactile puppet performance with live filmic effects to produce surprising, humorous and uncanny moments.
Written by Penda Diouf and staged by Evelyne Castellino, LA GRANDE OURSE is an ecofeminist fable that traces a mother’s descent after a minor incident becomes criminalized. Combining video, choreographed movement and choral voices, the piece weaves police violence, racism and sexism into a hallucinatory, dystopian world where omnipresent surveillance watches every gesture. As the heroine reconnects with ancestral nature by transforming into a bear, the production evokes animal survival instinct, collective gossip and the fragile line between humanity and wildness, offering a visceral, poetic reflection on power and resistance.
In French.
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