Performed by Édouard Louis and directed by Thomas Ostermeier, this terse, unflinching monologue examines the premature exhaustion of a father’s body and traces the social forces that shaped it. A sequence of fragments alternates indignation, vengeance and abiding tenderness. Nina Wetzel’s scenography, Caroline Tavernier’s costumes and Erich Schneider’s lighting frame a stark, intimate staging, while Sylvain Jacques’ music and the dramaturgy of Florian Borchmeyer and Élisa Leroy shape its rhythm.
In French.