On a quick visit to the MEG, delve into the permanent exhibition by examining the collections through the lens of current social and environmental challenges. This visit invites reflection and dialogue on themes relevant to our everyday lives.
In French.
The exhibition “Sauvages” at the Cité Library invites visitors to delve into the behind-the-scenes of Claude Barras’s film. It is divided into three sections that cover the ecological and cultural aspects of Borneo, reveal the creative and production processes of the film, and immerse the audience in the filming atmosphere through never-before-seen photos and testimonials. Original documents, drawings, travel journals, sets, and figurines enhance this immersive experience.
Collectif Détente presents works that treat fabric and clothing as spectral carriers of memory. Through textile-based installations, sculptural garments, assemblage and a filmic element, artists including Ryan Gander, Meret Oppenheim and others probe domestic hauntings, hidden inheritance and collective fears. The show stages fragile, unsettling presences that revive interrupted stories and private traces, using material tactility and suspended forms to reveal how ordinary objects and living spaces keep visible and invisible histories in uneasy coexistence.
Swiss artist Grégory Sugnaux presents a body of paintings that stage ambiguous, often hybrid figures—part human, part animal, serial androids and distorted, sometimes monstrous bodies. Combining grotesque allusion with ironic self-reflection, he mixes genres and pictorial techniques to render surfaces alternately smooth and vibrating, fracturing legibility.
A composed soundtrack threads through the installation, amplifying the exhibition’s uneasy pulsation. The works negotiate a fragile balance between fascination and self-critique, revealing vulnerability beneath playful, unsettling imagery.
Belleville-based photographer Souleymane Fofana, known as Commeas and also a player with JA Drancy, presents a body of photographic works that approach football through instinct and immediacy. Using motion, blur and saturated colour, he captures energy rather than fixed form, privileging rhythm, perception and spontaneous gesture over technical precision.
The images emerge from intuitive, in-the-moment shooting, a visual language of movement that evokes play, chaos and collective intensity. The presentation runs alongside the film Belleville nous verra toujours danser.
Painter André Kasper revisits classical and contemporary traditions in a body of oil paintings, watercolours and works on paper shaped by extended stays in Rome. His canvases — landscapes, ruins and figurative scenes — favour composed structures and a luminous handling that anchors each work’s narrative. Accustomed to large formats, he has recently explored smaller, more impulsive studies that foreground colour purity and gesture. The exhibition reflects Kasper’s dialogue with Caravaggio, Corot and Flemish affinities while tracing personal and art-historical continuities.
ELLES brings together powerful contemporary Aboriginal women artists whose work bridges ancestral storytelling and modern abstraction. Featuring major figures such as Emily Kam Kngwarray and Mirdidingkingathi Juwarnda Sally Gabori, alongside artists from the Bérengère Primat Collection / Fondation Opale, the exhibition at the Musée Rath highlights symbolic, vibrant works rooted in land, memory, and spirituality. Between tradition and contemporary expression, these intimate visual cartographies celebrate the deep connection between culture, nature, and creation.
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