The comedian and actor Vincent Dedienne is venturing into new creative territory with “Un lendemain soir de gala,” a unique event that combines humor and music. Dedienne will perform original songs crafted by artists he admires, including Alex Beaupain, Jeanne Cherhal, and Vincent Delerm. This promises to be a one-of-a-kind evening filled with theater, music, humor, and warmth. Tickets purchased for the previous date are still valid for the new event.
In French.
Written by Penda Diouf and staged by Evelyne Castellino, LA GRANDE OURSE is an ecofeminist fable that traces a mother’s descent after a minor incident becomes criminalized. Combining video, choreographed movement and choral voices, the piece weaves police violence, racism and sexism into a hallucinatory, dystopian world where omnipresent surveillance watches every gesture. As the heroine reconnects with ancestral nature by transforming into a bear, the production evokes animal survival instinct, collective gossip and the fragile line between humanity and wildness, offering a visceral, poetic reflection on power and resistance.
In French.
Performed by Françoise Boillat, this intimate staging of Sophocles’ Antigone reimagines the tragedy through sparse, elemental theatricality. The actress confronts authority and allegiance beneath seven remarkable trees, whose silent presence frames tensions between law, nature and personal freedom. The production emphasises stark gestures, close physicality and a raw vocal intensity, letting heritage and dissent resonate through wind and shadow. Audiences are invited into a meditative, tactile encounter with the myth.
In French.
Molière’s Tartuffe tells the story of a slick con-man who hides behind ostentatious piety to worm his way into the wealthy Orgon household. Orgon, dazzled by Tartuffe’s sanctimonious rhetoric, defends him even as the impostor’s hypocrisy poisons family bonds and pushes the household toward ruin.
Director Jean Liermier underscores how, in Molière’s work, the female characters serve as the moral compass and spark of resistance, a beacon of hope against oppression. Staged on a stark, minimalist set that exposes the family’s rigid tensions—and featuring Gilles Privat as an unbending Orgon—this production highlights the play’s continuing resonance in a world beset by egotism, fanaticism, and conspiracy thinking. The central question remains timeless: will society keep falling for Tartuffe’s brand of seductive deceit?
In French. Ages 12 and up.
La Keloke is an immersive Latin music night conceived by Rytm that blends urban Latin sounds—reggaeton, Latin trap and dembow—with traditional rhythms such as salsa, bachata and merengue. Expect a warm, dance-focused atmosphere where DJs and live percussion create continuous grooves tailored for social dancing. The programming favors rhythmic interplay and communal energy, with moments of call-and-response and high-energy floorwork. A festive sharing menu will be available on site.
Led by maître à danser Alain Christen, this spring ball revives Playford-era country dances through shared movement and live music. Ensemble Le banquet d’Apollon accompanies the participants: François Mützenberg on recorders, chalumeau and galoubet; Marie-Claire Bettens on recorders and viol; Lisette Aubert on viol. The programme draws from John Playford’s 1651 English Dancing Master, offering a varied, spirited repertoire where popular tunes meet learned composition, inviting dancers of all levels into lively, convivial patterns.
Pour un temps sois peu is a powerful solo piece by Laurène Marx in which she recounts the life of a trans woman through razor-sharp, intimate detail. Text and performance by Laurène Marx, directed by Laurène Marx and Fanny Sintès, with lighting by Solange Dinand. The show blends anger, wit and tenderness to confront medical procedures, violences, social erasure and heteronormative pressures, shaping a raw, urgent language that reclaims lived experience.
In French.
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