The comedian and actor Vincent Dedienne is venturing into new creative territory with “Un lendemain soir de gala,” a unique event that combines humor and music. Dedienne will perform original songs crafted by artists he admires, including Alex Beaupain, Jeanne Cherhal, and Vincent Delerm. This promises to be a one-of-a-kind evening filled with theater, music, humor, and warmth. Tickets purchased for the previous date are still valid for the new event.
In French.
Directed by Joël Maillard and adapted from Nina Yargekov’s novel, Double nationalité is a choral theatrical investigation into identity and its contradictions. Four actresses — Cécile Goussard, Mélina Martin, Alicia Packer and Marie Ripoll — embody a single heroine and the chorus of her inner thoughts, navigating bilingual disorientation, memory and fantasy. Mélissa Rouvinet’s scenography, Antoine Françoise’s music and Édouard Hügli’s lighting create a dreamlike, often sharp atmosphere. Production by Cie SNAUT; costumes by Coralie Chauvin and sound by Cédric Simon.
In French.
A musical journey through the history of cabaret, from its origins to the present day, takes the stage at Théâtre Les Salons. Directed by Philippe Cohen, this production includes artists such as Bobby Lapointe and Aristide Bruant, accompanied by the talented Gaëlle Poirier on accordion and Narcisso Saùl on guitar. The ensemble, featuring Majbritt Byskov-Bridges, Philippe Cohen, Marie-Stéphane Fidanza, Claudia Lachat, Thomas Laubacher, and Kim Selamet, delivers a captivating evening filled with sketches and songs, offering a delightful blend of whimsy, romance, and humor.
Choreographer Chiara Bersani invites the audience into the undergrowth of an imagined forest, performed in duo with dancer Elena Sgarbossa and a group of workshop participants. The piece stages bodies limited by disability to probe movement, survival and collective care. Inspired by confinement and the inequalities revealed by the pandemic, it turns the stage into an ecosystem — a vibrating floor, layered soundscape and a shared spatial attention — where small gestures, bodily memory and vulnerability become transformative forces and the basis for a newly imagined community.
Directed by Geneviève Pasquier and performed by Vincent Babel, LETTRE À MON DICTATEUR stages Eugène’s cathartic gesture of writing to Nicolae Ceauşescu. The production blends intimate monologue with archival echoes, folding fragments of Pierre Omer’s Swing Revue into a jazz-tinged score that punctuates memory and revelation. The creative space favors spare tableaux, tactile sound textures and a nimble rhythm that offsets historical weight with mischievous warmth, transforming personal trauma into a tender, witty coming-of-age confession.
In French.
Under the baton of Eun Sun Kim, violinist Frank Peter Zimmermann will join the Orchestre de la Suisse Romande (OSR) for a concert at Victoria Hall. The program features Mendelssohn’s “Hebrides” Overture, Frank Martin’s “Concerto for Violin and Orchestra,” and Beethoven’s iconic “Symphony No. 5.” This evening offers a captivating journey through pieces that evoke nature, enchantment, and dramatic power, with a total duration of about 1 hour and 40 minutes, including an intermission.
Winter of Caecilia gathers seven local theatre productions that revisit contemporary and classic forms through monologue and solo performance. Artists such as Nastassja Tanner, Ahmed Belbachir, Roland Vouilloz and Vincent Jacquet offer intimate, visceral interpretations, while texts by playwrights like Fabrice Melquiot are brought to life under directors including Jean‑Yves Ruf. The programme mixes poetic, comic and physically charged pieces that privilege sensory staging and emotional immediacy, inviting audiences into distinct, singular theatrical universes.
In French.
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