24 – 28 March

Rien ne me sépare de la merde qui m’entoure

An original text by Virginie Despentes is brought to life by a dancer, an actor, a percussionist, and a singer. This performance delves into contemporary themes of anger, violence, and disillusionment with a fiery clarity, dark humor, and a desperate tenderness, urging for a revolution of compassion.

In French.

Rue du Général-Dufour 16,
1204 Genève
Photo Credit: Magali Dougados
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Photo Credit: Magali Dougados

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Monday 23 March, 19:30

The extraordinary pianist Ivo Pogorelich presents an exploration of Beethoven’s masterworks at the BFM. This concert will showcase the “Pathétique,” “The Tempest,” and “Appassionata” sonatas, along with some of the composer’s bagatelles, highlighting Beethoven’s groundbreaking genius and lasting impact on classical music. A unique event for piano and Beethoven enthusiasts.

Monday 23 March, 19:30

Pianists Anastasia Voltchok and Alexei Volodin will perform works by Mozart, Saint-Saëns, Lutosławski, and Rachmaninov as part of the Les Grands Interprètes series. The program features Mozart’s Sonata for Two Pianos in D major, Saint-Saëns’ Variations on a Theme by Beethoven, Lutosławski’s Paganini Variations, and Rachmaninov’s Suite No. 2.

19 – 29 March

Leonardo García Alarcón and his Cappella Mediterranea, in collaboration with the GTG Ballet, present the opera-dance Castor & Pollux by Jean-Philippe Rameau. Rarely performed in its 1737 version, the work delves into themes of brotherly love and sacrifice amidst a war between two peoples. The show features renowned baroque artists, including performances by Reinoud van Mechelen and Andreas Wolf. Dance is woven into the core of the dramaturgy, highlighting the emotional and musical depth of Rameau’s composition.

In French, with English subtitles.

24 March – 12 April

Directed by Marie Wyler and adapted from Violaine Bérot’s novel, Comme des bêtes follows a man nicknamed “the Bear” whose difference unsettles a mountain village after a child is sighted near his cave. Performed by Marie Probst, Marie Ruchat, Alexandra Tiedemann and David Casada, the piece mixes elements of folk tale and detective narrative to probe mutual taming between humans and other forms of life. Giulia Muniz’s costumes, David Kretonic’s lighting and Rudy Deceliere’s sound design build a tense, mysterious atmosphere that questions the limits of rationality.

In French.

24 March – 1 April

Portrait is a creation by Alexandre Simon and Cosima Weiter that delves into the city through the lens of its diverse inhabitants. Combining text, acting, film sequences, and music, “Portrait” unveils a multicultural and unique Geneva. Pierre Maillet brings to life the testimonies collected by Cosima Weiter, supported by a trio of musicians under the direction of Vincent Bertholet. Filmed sequences by Alexandre Simon add depth to the staging, providing an artistic and anthropological view of the city.

In French.

12 March – 1 April

Written by Penda Diouf and staged by Evelyne Castellino, LA GRANDE OURSE is an ecofeminist fable that traces a mother’s descent after a minor incident becomes criminalized. Combining video, choreographed movement and choral voices, the piece weaves police violence, racism and sexism into a hallucinatory, dystopian world where omnipresent surveillance watches every gesture. As the heroine reconnects with ancestral nature by transforming into a bear, the production evokes animal survival instinct, collective gossip and the fragile line between humanity and wildness, offering a visceral, poetic reflection on power and resistance.

In French.

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