At Victoria Hall, the orchestra presents a captivating concert featuring soundscapes from Iceland and England, under the baton of Eva Ollikainen with cellist Kian Soltani. The program includes “Archora for Orchestra” by Anna Thorvaldsdóttir, Edward Elgar’s “Cello Concerto,” and Jean Sibelius’s “Symphony No. 2.” Enhancing the experience, the duo Stemma performs Icelandic folk music in the foyer before and after the concert, offering the audience an immersive Icelandic sound journey.
Directed by Cyril Teste, this restless adaptation of Anton Chekhov’s Platonov concentrates the action into a single, simmering night. Teste blends cinema and theatre, letting the camera trace fragments of conversations, music and the shifting paths of desire and solitude. Around the melancholy misanthrope Micha, an ensemble confronts money, regret and incomprehension as frustrations and longings are amplified by summer heat and drink. The staging is at once filmic and theatrical, precise and emotionally porous.
In French.
Swiss music icon Stephan Eicher pares everything to the bone in this intimate solo soirée, blending grainy-voiced classics with wry, raconteur anecdotes to chart a life spent wandering off the mainstream map; sparked by a chance stroll, honed with director François Gremaud, the show unfolds like a dandy’s confessional, letting familiar melodies bloom into candid, humorous revelations that lay bare the poetic, ever-restless spirit behind the hits.
In French. Ages 12 and up.
After spending six years in prison, a solitary con artist embarks on a journey of reintegration. Suddenly, a woman claiming to be his daughter appears, bringing up a missing sum of money, a cult, and an heiress tied to wartime exploitation. With the support of a therapist who was involved throughout his incarceration, the characters delve into a world of deception, identity quests, and shared guilt. This existential thriller delves into the fragmented nature of reality and memory.
In French.
Amid the bustle of city life, five “artist donors” — musicians, singers, poets, performers, and visual and sound artists — offer a timeless, made-to-measure pause created just for you. This intimate and restorative experience invites audiences to slow down, reconnect, and give space to new, bold aspirations.
Actor Samuel Labarthe turns Nicolas Bouvier’s fever-drenched memoir The Scorpion-Fish into a hypnotic, miniaturist tour de force: marooned in 1950s Ceylon after a headlong road trip from Geneva through the Balkans and Afghanistan, the once-ebullient traveller spirals into tropical delirium, trading human company for buzzing insects, mirage-bright visions and mordant humour that flits between the sublime and the grotesque. Under Catherine Schaub’s finely gauged direction, Labarthe channels both the lush lyricism and the slow-burn torment of this “motionless voyage,” distilling Bouvier’s languid prose into a tactile, rejuvenating elixir that lets the audience feel every bead of sweat, jolt of wonder and sting of isolation.
In French. Ages 12 and up.
Winter of Caecilia gathers seven local theatre productions that revisit contemporary and classic forms through monologue and solo performance. Artists such as Nastassja Tanner, Ahmed Belbachir, Roland Vouilloz and Vincent Jacquet offer intimate, visceral interpretations, while texts by playwrights like Fabrice Melquiot are brought to life under directors including Jean‑Yves Ruf. The programme mixes poetic, comic and physically charged pieces that privilege sensory staging and emotional immediacy, inviting audiences into distinct, singular theatrical universes.
In French.
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