As part of the 2025 season at Théâtre de l’Orangerie, Adrien Barazzone presents “L’Homme de dos”. In this solo performance, he embodies a City Council embroiled in absurd debates and hilarious contradictions over a contemporary art piece. With biting energy, he crafts a political portrait both incisive and joyous. This play is the second installment in the “Trilogy of Systems,” following the highly acclaimed “Toute intention de nuire.”
In French.
Join us on the Bateau Genève for an extraordinary musical evening featuring students from EPI and Catalyse. Experience a concert where voices, rhythms, collective creation, and stage presence intertwine to deliver a sensitive and vibrant experience. In this historic setting, music transforms into a space for connection and expression. The young artists, fueled by the group’s dynamic energy, will offer a generous performance that blends improvisation with original compositions.
A hilarious musical featuring numbers performed by passionate and enthusiastic actor-singers.
In French.
The AMR Festival brings Parc des Cropettes to life with five days of free open-air concerts celebrating jazz and improvised music. In a laid-back, summery atmosphere, local and international artists take the stage for an eclectic mix of sounds, from bold experiments to groovy rhythms. With food and drink stands on site, it’s the perfect spot to soak up Geneva’s creative energy well into the night.
Every Thursday evening this summer, Jardin des Nations comes alive with open-air concerts in a laid-back, friendly atmosphere. Enjoy live music under the trees, discover local talent, and grab a drink or a bite from the on-site food stands. Free entry, every Thursday from 6 p.m.
The Solistes de Beyrouth, a renowned vocal ensemble from Lebanon, will perform a gala concert at Geneva’s Victoria Hall to support Caritas Lebanon. Led by Fernando Afara, with mezzo-soprano Carine Séchaye and organist Yves Lafargue, the program will feature works by Poulenc, Bizet, Mascagni, Verdi, as well as Lebanese music.
In March 1974, a slightly nervous Michel Berger played a song for France Gall—one he had written for himself but with her in mind. As he strummed a few chords, the lyrics left little room for doubt: Quand je suis seul et que je peux rêver / Je rêve que je suis dans tes bras / Je rêve que je te fais tout bas / Une déclaration, ma déclaration.
But the greatest love of the singer-songwriter was neither Véronique Sanson nor France Gall—his longtime partner in both life and music—but rather music itself, the only remedy for wounds that never quite healed. Behind his polished, almost reserved exterior lay a tormented man who drew boundless energy from his own fractures. A singular melodist and an underrated lyricist whose simplicity struck straight to the heart, Michel Berger didn’t just revive France Gall’s career—he also shaped those of icons like Françoise Hardy (Message personnel) and Johnny Hallyday (Le Chanteur abandonné, Quelque chose de Tennessee).
In French.
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