Created by dancer and choreographer Chloé Fayolle, UNAPOLOGETIC celebrates Heels through live dance and music, a photo exhibition and a video screening. For this third edition, the event unfolds as a space for connection and sharing, with a DJ set extending the evening into the rhythm of the dance floor. The atmosphere blends performance, visual arts and nightlife into an expressive, body-led celebration.
Told as a solo performance, this piece follows a woman as she remembers the films that shaped her life and blurs the line between cinema and memory. Through references to science-fiction sagas and cinematic archetypes — the woman-soldier, the survivor, the reluctant mother — the show probes identity, fear of change and the ways stories migrate from screen to skin. Sparse staging and intimate narration create a haunting, introspective atmosphere.
In French.
Directed by Marie-José Malis, Retour au pays revisits Hugo von Hofmannsthal’s letters through a spare, lucid staging. Performers Alexandra Tiedemann and Juan Crespillo inhabit the returning merchant’s disorientation, while Aurélia Ansermet provides live music and sound. Bernard Héritier’s scenography and Jessy Ducatillon’s lighting shape moments of visual surprise, most poignantly a Van Gogh encounter that restores belief in the world. The piece refuses facile answers, offering theatrical lucidity and an austere emotional clarity.
In French.
Emergentia 2027 brings together the next generation of choreographers from Geneva and beyond in a two‑week festival of new performance and research. Conceived and produced by three Geneva organizations, the program juxtaposes site-specific creations, international residencies, open studios revealing works-in-progress, and embodied workshops and conversations. Performances feature artists such as Isam Abad Montalvo, Sami Lea Samira Bernath, Oscar M. Damianaki, Efthimios Moschopoulos and Soraya Leila Emery, alongside collaborative projects and emerging voices.
With PavillonADC & TU-Théâtre de L’Usine.
Conductor Daniele Gatti leads a program of Beethoven’s Symphonies Nos. 1, 4 and 5, tracing the composer’s journey from Classical roots to a daring, individual voice. Symphony No. 1 reflects Haydn and Mozart’s clarity while hinting at Beethoven’s temperamental drive. The luminous No. 4 unfolds singular inventiveness and elegance; the No. 5 embodies struggle and triumphant affirmation. The performance emphasises orchestral textures, dramatic contrasts and rhythmic propulsion, immersing listeners in the boldness, creativity and elemental power of Beethoven’s sound world.
FURTHER AFIELD
Bertrand Belin sculpts a deliberately wandering pop poised between rock and chanson, threaded with jazz and blues. On his latest album Watt he explores existential themes through poetic, mysterious and luminous writing. His crooner-like delivery and elegant harmonic language combine introspection with expansive, almost stellar arrangements, guiding the listener from intimate passages to wide sonic horizons. The concert offers an elegant, reflective musical voyage.
La Revue Genevoise returns for its 134th edition, blending sharp satire with music, dance and theatrical sketches. A lively ensemble navigates topical scenes that mix wit and social critique, supported by inventive choreography, musical arrangements and fluid staging. The production alternates fast-paced comedy and reflective moments, offering a polished, communal portrait of contemporary Geneva life told through song, movement and comic timing.
In French.
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