Thursday 27 November, 19:00

Thuy-Han Nguyen-Chi and Fabian Saul

Performances

MAH

Free, Booking Required

Centered on three guiding themes — matrices, belief, and mourning — this collective reading by artists Thuy-Han Nguyen-Chi and Fabian Saul, together with a curator, builds on a poetic inquiry system the trio developed in 2022. They create a landscape of texts, sounds, and moving images that both explore and unsettle these questions. The project culminates in a new film composed of archival footage and original sequences edited by Thuy-Han Nguyen-Chi, with sound by Andrew Yong Hoon Lee; a live sound composition by Fabian Saul; and original texts written and performed by Thuy-Han Nguyen-Chi, Jade Meili Barget, and Fabian Saul. This event is part of a three-chapter cycle, also presented at the Harvard Film Archive and the Migros Museum für Gegenwartskunst, in partnership with Zürich liest 2025.

Rue Charles-GALLAND 2,
1206 Genève

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Photo Credit: DR

19 – 23 November

Ça Veut Jouer (Ou Bien?) / Robert Bouvier

Performances

Théâtre des Amis

Ça Veut Jouer (Ou Bien?) is a witty and poetic one-man show by Robert Bouvier, who steps in as the unlikely Prince Siegfried when a ballet company is held up at the airport. Drawing on his own experiences as actor, director, and theater manager, Bouvier humorously recounts his artistic journey—from his first school play to leading the Théâtre du Passage in Neuchâtel—while sharing behind-the-scenes tales of politicians, patrons, and temperamental artists. Directed by Joëlle Bouvier and Simon Romang, the performance blends storytelling, music, and theatrical charm into an unforgettable solo experience.

In French.

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Wednesday 19 November, 19:30

Benjamin Bernheim & Carrie-Ann Matheson

Performances

Victoria Hall

Renowned tenor Benjamin Bernheim, accompanied on piano by Carrie-Ann Mathseson, will perform in the prestigious series Les Grands Interprètes. The program features works by Bizet, Duparc, Chausson, Tchaikovsky, Puccini, Massenet, Kosma, Trenet, and Brel. Audiences can look forward to famous excerpts such as “Je crois entendre encore” from The Pearl Fishers, “La fleur que tu m’avais jetée” from Carmen, “Pourquoi me réveiller” from Werther, and “Les feuilles mortes.”

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Wednesday 19 November, 14:00 & 17:30

Bachibouzouk

Kids Performances

La Maison des Compagnies

Who hasn’t, as a child, woken up in the middle of the night, disoriented, surrounded by mysterious shapes that might be monsters—or maybe friends? “Bachibouzouk”, by the Philippe Saire Company, brings that in-between world to life, blending dance and object theatre in a poetic, twilight performance where imagination takes over once the lights go out.

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Wednesday 19 November, 20:00

Les Créatives: Draga

Performances

Alhambra

Les Créatives are hosting a concert by Draga at the Alhambra. This musical project, inspired by Monique Wittig’s work, brings together Lucie Antunes, Anna Mouglalis, P.R2B, Théodora Delilez, and Narumi Herisson. Their performance delivers a dynamic and diverse interpretation of “Les Guérillères,” blending rock, krautrock, electro, and post-punk.

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19 – 23 November

Occupations

Performances

La Comédie de Genève

Occupations de Séverine Chavrier, création de la Comédie de Genève, explore les nouvelles politiques de l’amour et les tensions du désir féminin. Entre intime et politique, le spectacle interroge la transgression, la passion et les formes contemporaines de résistance féministe à travers un dispositif mêlant ancien et numérique, quotidien et muséification.

In French.

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19 – 25 November

Imperial Ball – Boléro by Sidi Larbi Cherkaoui & Damien Jalet

Performances

Grand Théâtre

“Bal Impérial – Boléro” seamlessly blends an imperial waltz with Ravel’s mesmerizing Boléro. Created by Sidi Larbi Cherkaoui and Damien Jalet, this work delves into the social and political roots of dance. The first segment, “Bal Impérial,” marks the bicentennial of Johann Strauss by juxtaposing Viennese music with Japanese percussion, all set in an evocative stage design and costumes by Tim Yip. The second segment, “Boléro,” revisits the 2013 choreography, presenting an intense, visceral dance to Ravel’s dramatic crescendo, enriched by artistic influences from Marina Abramović.

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Thuy-Han Nguyen-Chi and Fabian Saul