Exit Void, the Geneva-based collective founded by Emral Kadriov, Birdjan Kadriov and Alessandro Bucolo, traces a sharp, restless path through Swiss independent cinema and music culture. Known for turning the music video into a space of invention, the trio presents a selection of works shaped by narrative drive, special effects and formal risk. Their collaborations with Geneva artists and international names reveal a visual language that is bold, kinetic and unmistakably contemporary.
Fanny Paloma’s documentary follows Indigenous communities in Cambodia and Cameroon fighting to reclaim lands seized by subsidiaries of the Bolloré Group. Blending investigative filmmaking with poetic storytelling, the film exposes the human and environmental costs of land grabbing and the global struggle for justice and accountability.
In collaboration with Coalition pour des Multinationales responsables. Screening followed by a discussion with director Fanny Paloma.
Founded in 1995, the Geneva International Film Festival (GIFF) is one of Geneva’s longest-standing cinema festivals and among the first in the world to integrate television into its programming. A hub for experimentation, encounters, and celebration, the ten-day festival presents films, series, and immersive audiovisual experiences to some 35,000 visitors each year. GIFF also hosts the Geneva Digital Market, Switzerland’s only meeting point for professionals in innovation and audiovisual content, and maintains year-round activities including school programmes and GIFF UNLIMITED events. Recognized as a key driver of Switzerland’s audiovisual sector, GIFF combines artistic ambition with international reach.
In the heart of the Cordillera del Cóndor in Ecuadorian Amazonia, Julien Belin’s documentary enters the world of the Shuar Maikiuants community with quiet attentiveness. Through their knowledge, spirituality and ancestral memory, the film opens a space where land, identity and resistance are deeply intertwined. Its intimate perspective invites viewers to listen, observe and feel the fragile strength of a living culture carried by its guardians.
ALCE Geneva’s 28th Spanish-Language Film Series celebrates the diversity and richness of Spanish cinema through six carefully chosen films. Spanning genres and perspectives, the programme invites viewers into stories shaped by vivid characters, social nuance, and distinct regional voices. From intimate dramas to sharper, more playful tones, these Friday screenings offer a relaxed encounter with contemporary Spanish filmmaking, where language, rhythm, and emotion come together in an accessible, welcoming atmosphere.
Kino is an intimate, atmospheric independent film that traces the fragile intersections between memory and desire. Through lingering compositions, grainy textures and a measured, contemplative pace, the narrative follows a small ensemble as they negotiate loss, longing and quiet acts of repair. The film favours observational performances and visual storytelling, inviting the viewer into moments of emotional ambiguity and sensory detail rather than explicit resolution.
In French.
François-Christian Marzal’s film follows Jean-Luc as he launches into a headlong performance of Don Quixote on the stage of La Comédie. Moving between theatre, memory, fiction and the echoes of Swiss cinema, it becomes a vertiginous meditation on representation itself. With references to Tanner, Goretta, Soutter and Godard, the film blends playfulness and reflection.
O.V. French
In the presence of cinematographer Séverine Barde and the director.
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