Students from the PréPro programme at eMa present their final musical projects to a public audience and a professional jury. This evening of concentrated performance highlights stagecraft, instrumental technique and creative development: short sets range from Concorde’s alternative rock to Matilde’s pop/Franco‑Italian repertoire, and a set by Paul Sculati. The concert offers a direct insight into each artist’s evolution, focusing on musical identity and live presence.
To conclude the Haydn-Mozart Festival, Gli Angeli Genève will perform Haydn’s Stabat Mater at Victoria Hall under the baton of Václav Luks. The concert will also feature works by Jan Dismas Zelenka, including his Miserere in C minor. This event juxtaposes Zelenka’s innovative Baroque style with Haydn’s classical tradition, providing an insightful exploration of 18th-century musical evolution.
Students from the eMa PréPro programme present the culmination of their training in a public certification concert, performing finished musical projects before an expert jury. The evening highlights stagecraft, instrumental technique and creative authorship, offering a glimpse of each artist’s artistic identity. Set pieces range from intimate singer‑songwriter numbers to energetic pop‑rock. Performances include Oliver Heyden, Alexis Da Silva and Léa Gamba (pop rock), revealing emerging talents and diverse approaches to live performance.
Created collectively by the company À l’Ouest with Guillaume Pidancet, this inventive staging reimagines Charles Perrault’s Bluebeard for families. Performed in a mobile truck‑theatre that becomes a ‘suitcase of dreams,’ the production blends playful storytelling, poetic imagery and close‑up interaction to transform a dark tale into a gentle exploration of curiosity and trust. The intimate ensemble features Pierre Boulben, Hugo Braillard and Loubna Raigneau.
In French.
Led by Rude Egard, this Gypsy swing programme revisits jazz standards with a spirited blend of playfulness and contemporary touches. The performance balances lilting rhythms and nimble phrasing, creating warm, convivial soundscapes where melody and improvisation converse. Intimate and lively, the music moves between jaunty rhythms and tender passages, inviting listeners into a world of swing’s joyous momentum and quiet nostalgia.
Claudine (j’aime pas l’bonheur) is a re-creation by Marjolaine Minot that probes the ambivalence of happiness through intimate theatrical language. The piece blends restrained physicality and lyrical monologue to map memory, longing and domestic disquiet. Minimal scenic devices and attentive sound design carve spaces of emotion, while a small ensemble negotiates shifts between humour and melancholy. The production favours fragile gestures and precise rhythms to evoke an uneasy, poetic atmosphere.
In French.
Félix Ringaby, 22, is the new standout of Romandy stand-up. Laconic yet razor-sharp, he returns after a season of writing and testing with his first solo hour in development. With a rare gift for structuring jokes, he mines the ironies of daily life through self-mockery, delivering bursts of conflicting thoughts with surgical timing. Already a Radio Télévision Suisse contributor and finalist at Montreux Comedy and Morges-sous-Rire, he was named “Nouveau Visage” for Juste pour Rire in Montréal and Québec.
In French.
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