Performed by Nile Koetting, this live performance arises from Jade Meili Barget’s ‘First impressions’ residency and examines the fragile mechanics of perception and encounter. Using measured gestures, spatial rhythms and attentive listening, Koetting sculpts a contemplative atmosphere where bodily detail and silence carry emotional weight. The piece invites close attention to timing, texture and the poetics of presence, producing intimate tension and quiet revelation.
Directed by Bastien Blanchard, CANICULE is a first play that turns a scorching domestic scene into a comedic yet unsettling probe of consumerist happiness. Actors Nadim Ahmed, Estelle Benaïch, Danae Dario and Angelo Dell’Aquila shift between light banter and mounting unease as a repairman exposes fissures in a marriage. Cornélius Spaeter’s scenography, Marc Heinmendinger’s lighting and Ljubica Markovic’s costumes frame moments of heat, claustrophobia and ironic intimacy, touching on climate change and overconsumption with dry wit and emotional precision.
In French.
As part of Art Genève / Art Talks, this round table brings together leading voices in digital and new media art. Marie du Chastel (Artistic Director, Pavilion & KIKK Festival, Namur), Lucia Garcia (Director, IMAL, Brussels), Fanny Dupé (Director, Mapping Festival, Geneva), and Anthony Masure (Associate Professor & Head of Research, HEAD–Geneva) discuss current trends, creative approaches, and the evolving aesthetics of digital arts. The conference is organized by Wallonia-Brussels in Geneva – Permanent Representation of Belgium to the UN.
In French.
Lovay Fine Arts presents Une chose est à une autre, a new exhibition by Ligia Dias, whose work explores the subtle relationships between objects, images, and meanings. Through installations and sculptural gestures, Dias creates visual chains in which forms echo, transform, and quietly shift from one state to another, inviting viewers to question how things connect, overlap, or slip into new interpretations. Her practice is marked by a refined attention to materiality and context, operating in a space where perception, language, and intuition meet.
The exhibition “Sauvages” at the Cité Library invites visitors to delve into the behind-the-scenes of Claude Barras’s film. It is divided into three sections that cover the ecological and cultural aspects of Borneo, reveal the creative and production processes of the film, and immerse the audience in the filming atmosphere through never-before-seen photos and testimonials. Original documents, drawings, travel journals, sets, and figurines enhance this immersive experience.
The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.
Beat Zoderer’s first exhibition with lange + pult in Geneva presents a new series of works inspired by the economy of haiku. In these small-format pieces, the artist translates brevity, precision, and tension into the pictorial field through grids and modular patterns. Layered, translucent colors create subtle depth and shifting perceptions, while recurring square motifs generate a restrained yet vibrant rhythm. Rooted in concrete art, the series stands out for its quiet, almost meditative quality, where meaning emerges from the balance between form, color, and visual silence.
Opening on Thursday 15 January, from 18:00.
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