30 April – 10 May

Nu vite

Performances

Booking Required

Co-created by Pascal Gravat and Julien Mages for Compagnie Revolver, “Nu Vite” (Naked Quickly) is a choreo-biography in which a dancer and an author probe time, ageing and the urgent need to seize each instant. The work blends intimate movement and written testimony, set to music by Pierce Warnecke with sound design by Clive Jenkins and lighting by Alessandra Domingues. The 75‑minute performance explores memory, bodily change and the delicate rhythm between presence and loss.

In French. Adults only (17+).

Route des Péniches,
2, Switzerland

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21 April – 10 May

Dr Jekyll and Lady Hyde

Performances

Scène Cæcilia

Based on the Jekyll myth, this theatrical adaptation examines metamorphosis as both physical and social, probing identity, gender and the boundary between good and male/female. Stark black-and-white staging and chiaroscuro lighting evoke twilight and old horror films, while a persistent, slicing fog thickens the atmosphere. The venerable Dr Jekyll’s unsettling experiments unfold in a late-19th-century London laboratory, and his circle is drawn into mounting anguish as transformations accelerate.

In French.

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Friday 8 May, 20:00

Lilly Wood and The Prick — Live

Performances

Le Rez-Usine

Lilly Wood and The Prick return with a set focused on songs from their new album Christina. The French duo blends pop, folk and electronic textures around English-language lyrics, pairing gritty guitar and catchy hooks with intimate vocal interplay. On stage they shift from reflective ballads to high-energy anthems, sculpted by dynamic arrangements and luminous soundscapes, creating a charged, immediate atmosphere that balances raw energy and poignant melody.

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6 – 10 May

Tabou

Performances

Théâtre Saint-Gervais

“Tabou” by Jean-Daniel Piguet delves into the journey of a son and his mother through South America, tracing the footsteps of the grandfather, a former cacao plantation worker. Their quest to overcome family trauma unveils the violent legacy left behind. Within the confines of their hotel room, an ambiguous relationship and a hallucinatory narrative unfold. The film transforms into a psycho-magical tale, filled with intriguing characters and fantastical apparitions, intertwining personal stories, collective consciousness, and the colonial past of South America.

In French.

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7 – 9 May

Nelly

Performances

Uptown

Directed by Gloria Grossrieder and Anne Probst, Nelly is a light operetta by Marcel Lattès that mixes romance and mistaken identities. The company’s ensemble — including Hannah Butterworth, Christophe Bitar and Gloria Grossrieder — is supported by a full orchestra under the direction of Maximilien Estrampes. Alice Tchamkerten’s sets and Alicia Roch’s costumes shape a stylish, period-tinted world, while Vincent Miche’s lighting accentuates the comedy’s playful rhythms and coquettish charm.

In French.

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22 April – 9 May

Henry IV

Performances

Théâtre du Grütli

Power struggles take center stage in this political and human narrative, offering a sharp reflection on legitimacy, chaos, and the quest for identity. The production incorporates a modular set design with models, puppetry, and contemporary projections to craft an epic theater experience that blends comedy and tragedy, rooted in past and present crises.

In French.

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7 – 16 May

Faites l’apéro pas la guerre

Performances

Uptown

Faites l’apéro pas la guerre invites audiences into a compact, provocative performance that blends satire, music and physical theatre to examine conviviality and conflict in contemporary life. The staging favors intimate gestures, rhythmic pacing and inventive use of space to create moments that oscillate between humour and unease. The production foregrounds ensemble interplay and sensory detail, offering a thoughtful, often playful reflection on how social rituals mask deeper tensions.

In French.

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Nu vite