Mobb Deep, with Havoc, joined by Big Noyd and DJ L.E.S., will be performing in concert at the Alhambra in Geneva. Known for their hardcore style and iconic albums like “The Infamous” and “Hell on Earth,” Mobb Deep hails from Queensbridge, New York. Despite the loss of Prodigy, Havoc keeps the legacy of this legendary group alive. Don’t miss this unique opportunity—secure your tickets now.
Written by Penda Diouf and staged by Evelyne Castellino, LA GRANDE OURSE is an ecofeminist fable that traces a mother’s descent after a minor incident becomes criminalized. Combining video, choreographed movement and choral voices, the piece weaves police violence, racism and sexism into a hallucinatory, dystopian world where omnipresent surveillance watches every gesture. As the heroine reconnects with ancestral nature by transforming into a bear, the production evokes animal survival instinct, collective gossip and the fragile line between humanity and wildness, offering a visceral, poetic reflection on power and resistance.
In French.
Choreographed by Belgian Piet Van Dycke, Beyond gathers six performers from dance, acrobatics and pole dance in a striking physical theatre exploring balance, risk and collective support. With unstable ladders and shifting footholds, the company sculpts moments of tension, lift and lyrical force, turning acrobatic feats into a poetic meditation on cooperation and human connection. The piece blends athleticism and tenderness, offering a visually bold yet intimate investigation of how bodies meet and build bridges above the void. Produced within Steps festival.
Led by maître à danser Alain Christen, this spring ball revives Playford-era country dances through shared movement and live music. Ensemble Le banquet d’Apollon accompanies the participants: François Mützenberg on recorders, chalumeau and galoubet; Marie-Claire Bettens on recorders and viol; Lisette Aubert on viol. The programme draws from John Playford’s 1651 English Dancing Master, offering a varied, spirited repertoire where popular tunes meet learned composition, inviting dancers of all levels into lively, convivial patterns.
Pour un temps sois peu is a powerful solo piece by Laurène Marx in which she recounts the life of a trans woman through razor-sharp, intimate detail. Text and performance by Laurène Marx, directed by Laurène Marx and Fanny Sintès, with lighting by Solange Dinand. The show blends anger, wit and tenderness to confront medical procedures, violences, social erasure and heteronormative pressures, shaping a raw, urgent language that reclaims lived experience.
In French.
Performed by Françoise Boillat, this intimate staging of Sophocles’ Antigone reimagines the tragedy through sparse, elemental theatricality. The actress confronts authority and allegiance beneath seven remarkable trees, whose silent presence frames tensions between law, nature and personal freedom. The production emphasises stark gestures, close physicality and a raw vocal intensity, letting heritage and dissent resonate through wind and shadow. Audiences are invited into a meditative, tactile encounter with the myth.
In French.
Performed by Édouard Louis and directed by Thomas Ostermeier, this terse, unflinching monologue examines the premature exhaustion of a father’s body and traces the social forces that shaped it. A sequence of fragments alternates indignation, vengeance and abiding tenderness. Nina Wetzel’s scenography, Caroline Tavernier’s costumes and Erich Schneider’s lighting frame a stark, intimate staging, while Sylvain Jacques’ music and the dramaturgy of Florian Borchmeyer and Élisa Leroy shape its rhythm.
In French.
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