Marie de Brauer presents her debut solo show, a candid, comedic monologue that blends raw humour and intimate storytelling. She mines personal encounters — awkward dates with unsuitable partners, frank reflections on body image — and slips in unexpected anecdotes, including rescuing a rat in Barcelona. The piece mixes sharp punchlines and quieter moments of observation, offering an hour-long, humorous yet humane portrait of contemporary life and self‑discovery.
In French.
La Revue Genevoise returns for its 134th edition, blending sharp satire with music, dance and theatrical sketches. A lively ensemble navigates topical scenes that mix wit and social critique, supported by inventive choreography, musical arrangements and fluid staging. The production alternates fast-paced comedy and reflective moments, offering a polished, communal portrait of contemporary Geneva life told through song, movement and comic timing.
In French.
For its eighth edition, Le Fumigène brings together two contrasting improvisation formats shaped by student talent and quick-fire invention. On Friday, a high-energy match pits the LuDi Île-de-France against Laituge, with an unpredictable referee turning every scene into a playful challenge. On Saturday, Deus Ex Machina shifts into long-form storytelling, where improvisers build a full world from a staging concept imposed by the game master. It is an inventive, collaborative celebration of theatrical spontaneity and ensemble risk-taking.
In French.
Directed by Eléonore Bonah and staged by scenographer Maria Clara Castioni, CHRÜSIMÜSI transforms Adelheid Duvanel’s terse, poetic fragments into a multilingual theatrical tapestry. Performers Eléonore Bonah and Maria Clara Castioni inhabit hypersensitive, marginal characters whose everyday gestures oscillate between absurdity and tenderness. Sparse staging and a careful interplay of voice and silence highlight Duvanel’s Kafkaesque intimacy, while language shifts (French, German, Italian) create a fragile, dreamlike atmosphere that balances humour and quiet despair, celebrating stubborn acts of resistance.
Now in its seventeenth edition, the Festival International de Guitare de Versoix offers a three-day programme showcasing diverse guitar traditions. The programme features the Robin Nolan Trio’s manouche takes on George Harrison, Francisco Gil’s baroque without borders, Carlotta Dalia in solo recital, the colours of Ensemble Alma Brasileira, and a symphonic closing Concertos! with the chamber orchestra. Expect intimate timbres, refined ensemble playing and cross-genre dialogues rooted in virtuosity and warmth.
Choreographed by Soraya Leila Emery, Coming Soon reimagines Ingres’s La Grande Odalisque through a playful, subversive lens. A single performer shifts between tableaux—seductive, mischievous, defiant—using grotesque exaggeration and theatrical excess to unsettle the orientalist gaze. Sparse objects, bold gestures and a keen sense of timing create alternating moments of intimacy and farce, opening space for new narratives of desire and agency. Created in collaboration with Emergentia and local partners, the work feels simultaneously imminent and elusive.
FURTHER AFIELD
Bertrand Belin sculpts a deliberately wandering pop poised between rock and chanson, threaded with jazz and blues. On his latest album Watt he explores existential themes through poetic, mysterious and luminous writing. His crooner-like delivery and elegant harmonic language combine introspection with expansive, almost stellar arrangements, guiding the listener from intimate passages to wide sonic horizons. The concert offers an elegant, reflective musical voyage.
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