Directed by Bastien Blanchard and Olivier Kessi of the Frei Körper Kompanie, this reworking of Molière’s classic blends theatre and live music to place L’École des femmes in contemporary society. Arnolphe’s attempt to keep Agnès in ignorance collides with the comic absurdity of her guardians and the disruptive arrival of Horace. The staging highlights power, fear and the mechanisms that confine women through physical performance and evocative musical textures.
In French.
Cirque Knie presents a family-oriented, large-scale circus spectacle combining athletic acrobatics, equestrian artistry and choreographed variety numbers. The programme balances fast-paced technical acts and poetic interludes, with careful staging, lighting and live musical accompaniment to create moments of wonder and humour. Suitable for children from four years upwards, the show prioritises accessibility and comfort while offering an immersive, theatrical atmosphere that blends tradition and contemporary circus aesthetics.
Roomful of Teeth, an American vocal ensemble celebrated with multiple Grammy Awards, transforms the voice into a versatile, multi‑modal instrument. Eight singers combine virtuosic technique and exploratory spirit to present two complementary works: Gabriel Kahane’s Elevator Songs, a suite of musical narratives sketching a mosaic of lives and eras, and Caroline Shaw’s Partita for 8 Voices, a landmark score where timbres collide and cohere. The programme balances collective precision and individual freedom, moving between humour, fragility, memory and astonishment.
Choreographed by Saša Asentić, Le Sacre du printemps is a reimagined Stravinsky landmark performed by the inclusive company Per.Art. Drawing on historical versions by the Ballets Russes, Maurice Béjart and Pina Bausch and enriched with the voices of disabled poets from Serbia, Iran, Ukraine and the United States, the seven dancers invert the original narrative. The staging transforms ritual into a manifesto of survival, blending physical rigor, collective solidarity and poetic testimony to renew the score as a cry for life.
Scène Vagabonde’s seventh edition brings a compact program of contemporary theatre and music, presenting three contrasting stage works — “Par le bout du nez”, “Quadrille” and “Prima facie” — alongside a concert by Orchestre Tout Puissant Marcel Duchamp as part of La Bâtie-Festival de Genève. Across intimate stagings the festival favors inventive direction, close ensemble interplay and a balance of wit and intensity, offering encounters that privilege physical presence, tonal variety and rigorous dramaturgy.
Raed Yassin presents Eternal Ghost, a solo project blending analogue synths, electronics and voice into a hypnotic, immersive and evolving sonic performance. Yassin sculpts dense textures and shifting atmospheres that oscillate between minimalism and moments of catharsis. The evening also features a specially curated DJ set by Passage de Disques (CyrilBongoJoe & Fuxy Lady), offering complementary rhythmic and vinyl-driven explorations that extend the event’s nocturnal sound world.
An intimate season-closing afternoon of live music and communal dance. Folk‑rock singer‑guitarist Chess’co offers warm voice-and-guitar songs that mingle with the rhythms of an open milonga, inviting both listening and movement. The program balances acoustic storytelling and close-up dance, with light and sound shaping a convivial, slightly nostalgic atmosphere. Performers and dancers create spontaneous encounters between melody and tango steps, producing an accessible, social experience that moves from relaxed listening to lively floor moments.
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