Imen Lahmar turns personal history and keen observation into a sharp, playful stand-up performance about ‘francité’ and the wider world. A former media consultant, she mines career change, travels and intimate anecdotes for material, moving between self-deprecating confession and pointed cultural critique. Her delivery mixes rapid-fire jokes and sly sincerity, creating an engaging, conversational atmosphere that feels both candid and crafted.
In French.
Piano Festival Geneva 2026 brings together acclaimed pianists and emerging talents for a celebration of the piano’s rich repertoire, from classical masterpieces to contemporary works. Held at Geneva’s iconic venues, the festival features solo recitals, concertos, and special performances in an intimate and inspiring musical
Choreographed and performed by Davi Pontes and Wallace Ferreira, Repertório N.3 closes their trilogy with a mischievous, incisive dance that uses irony and mockery as modes of resistance. Created after Bolsonaro’s 2022 defeat, this final chapter swaps the martial frontal energy of earlier pieces for playful, provocative gestures: naked, unmiked bodies and no music foreground look, pride and sly humor. Invoking social media codes and viral culture, the duo interrogates how queer and racialized bodies are seen, exposed and consumed.
Choreographed by Saša Asentić, Le Sacre du printemps is a reimagined Stravinsky landmark performed by the inclusive company Per.Art. Drawing on historical versions by the Ballets Russes, Maurice Béjart and Pina Bausch and enriched with the voices of disabled poets from Serbia, Iran, Ukraine and the United States, the seven dancers invert the original narrative. The staging transforms ritual into a manifesto of survival, blending physical rigor, collective solidarity and poetic testimony to renew the score as a cry for life.
FURTHER AFIELD
Presented as part of the fiftieth edition of Festival de la Bâtie, this late-stage production by Robert Wilson draws its creative power from the polymorphic poetry of Fernando Pessoa. Like a magic mirror, Pessoa – Since I’ve Been Me illuminates the nuances of Wilson’s singular aesthetic: meticulous stagecraft, visionary fantasy and boundless imagination. Seven virtuosic performers, including Maria de Meideros, embody Pessoa and his heteronyms in a poetic, visually arresting mise en scène.
Soundtrack: Finding Home blends song, staged movement and spoken monologue to trace the fragile journey of a newcomer to Geneva. Performed by a mix of professional and amateur artists, the piece navigates doubt, joy and the search for belonging through intimate vocal textures and choreographed tableaux. The city is imagined as a living presence that answers and challenges the protagonist, while lighting and sound sketches create shifting atmospheres, moving from disorientation to tentative connection.
In French.
Un conseil d’ami is a taut, intimate theatre piece that probes the fragile ties between friendship and trust. The staging favours close-up interactions, subtle lighting and spare design to heighten emotional detail. Performers move between colloquial realism and heightened, poetic moments, navigating moral ambiguity and small acts of care. The piece invites concentration on gesture, voice and timing, offering a quietly intense experience of human connection and moral questioning.
In French.
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