The Orchestre de la Suisse Romande, joined by pianist Khatia Buniatishvili and conducted by Jonathan Nott, will perform Debussy’s “Images pour orchestre,” followed by Brahms’ Piano Concerto No. 2. Initially met with criticism, Debussy’s “Images” are now celebrated as a pinnacle of early 20th-century French music. Similarly, Brahms’ Concerto No. 2, once criticized, has won the favor of audiences worldwide.
The Festival Les Créatives, a multidisciplinary event in Geneva, highlights the artistic and intellectual works of women and gender minorities. The 21st edition features concerts, theater, exhibitions, and discussions on topics such as chosen families and friendships. Notable participants include Hélène Giannecchini, Sophie Lewis, and Chloé Delaume. The festival reaffirms its commitment to combatting gender-based violence, working with the Canton and City of Geneva on local awareness campaigns.
The Lausanne Symphonic and University Orchestra (OSUL) teams up with the Pro Arte Choirs of Lausanne and the Chamber Choir of the University of Fribourg to perform Verdi’s Requiem, led by Hervé Klopfenstein. This masterpiece blends religious and operatic elements, delving into themes of mortality and salvation with grand choral sections, exceptional soloists, and a stunning orchestra. Renowned segments, such as the “Dies Irae,” captivate with their expressive intensity and power.
Created by visionary choreographer Mourad Merzouki, this show reimagines the iconic Boxe Boxe by Compagnie Käfig and the Debussy Quartet. It explores the connections between dance, boxing, and classical music, infused with the vibrant energy of Brazil. The result is a unique stage experience blending hip-hop dance, boxing movements, and classical music enriched by Carioca influences.
The musical score, reworked with the Debussy Quartet, supports this bold fusion. A true choreographic challenge, the performance celebrates dance’s power to transcend genres with infectious energy and boundless creativity. Let the celebration begin!
In Un volcan silencieux, sociologist and director Diane Muller reconnects with ten former classmates from Dijon, all born in 1979. Through open interviews, she explores how gender, class, and societal expectations have shaped their lives — from romantic ideals to motherhood and solitude. On stage, their voices are transmitted live, creating a powerful, intimate portrait of a generation.
Co-produced with the Les Créatives festival, the piece blends sociology and theatre to map the invisible lines of social determinism.
In French.
Actor Samuel Labarthe turns Nicolas Bouvier’s fever-drenched memoir The Scorpion-Fish into a hypnotic, miniaturist tour de force: marooned in 1950s Ceylon after a headlong road trip from Geneva through the Balkans and Afghanistan, the once-ebullient traveller spirals into tropical delirium, trading human company for buzzing insects, mirage-bright visions and mordant humour that flits between the sublime and the grotesque. Under Catherine Schaub’s finely gauged direction, Labarthe channels both the lush lyricism and the slow-burn torment of this “motionless voyage,” distilling Bouvier’s languid prose into a tactile, rejuvenating elixir that lets the audience feel every bead of sweat, jolt of wonder and sting of isolation.
In French. Ages 12 and up.
The show “7-8 Jean-François,” crafted by Alexandra Tiedemann and Céline Goormaghtigh, tells the story of a middle-aged man, disillusioned with life. Following his doctor’s advice to make a change, he enrolls in a disco dance class. There, a chance reunion with his old schoolmate Michaël stirs up past rivalries and awakens an unexpected competitive edge. Jean-François now dreams of redemption by winning the prestigious local dance event, the Night Cup.
In French.
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