Gli Angeli Genève will perform Gluck’s “Orfeo ed Euridice” in concert format at the Haydn-Mozart Festival. Under the baton of Stephan MacLeod and featuring Sophie Junker, Marie Perbost, and Iestyn Davies, this opera signals a departure from traditional opera seria with its mythological narrative and emphasis on the chorus and ballet. The concert-style performances, devoid of sets and costumes, heighten the dramatic intensity, promising unforgettable evenings.
Desperate for (bonds) is an improvisational performance for electroacoustic harp that explores the sonic tensions embedded within human attachment. Strings and woven connections create an architecture of bonds between a body and a harp that are strapped together, inviting the audience into a form of radical listening — if one dares to enter it.
Are Demons Among Us? Berbiguier de Terre-Neuve du Thym was a French citizen from Avignon who, after having his cards read by a fortune-teller, began to see malevolent beings all around him, whom he called “goblins.” The delusion lasted his entire life. His book on demons is an impressively detailed work, written in a rich literary style and containing utterly bizarre content—both pathetic and unintentionally comical.
It constitutes the most complete account of the inner world of a man gripped by profound madness. It was rediscovered in the following century by the Surrealists, notably Raymond Queneau, as well as by enthusiasts of outsider art. The performance will be a montage of the very words of this famous “literary madman” and will offer the audience a journey into the labyrinth of his thoughts.
In French.
Plan-les-Ouates is celebrating its 175th anniversary with a comedic show starring Marie-Thérèse, the well-known Swiss housewife, alongside emerging comedians like Bruno Peki and Julie Conti. This performance advocating for greater recognition promises laughter and entertainment. .
In French.
Written by E.-E. Schmitt, La Tectonique des Sentiments probes how love can turn to hatred in an instant. The plot follows Diane and Richard as imagined betrayals unleash seismic emotional shifts, toppling certainties and stirring violent tenderness. The piece balances sharp comedy and quiet cruelty, dissecting contradictions of desire through intimate exchanges and sudden tremors of feeling. The staging favors psychological clarity and a charged, oscillating atmosphere that leaves the audience unsettled and moved.
In French.
Formed in 2017 and based in Geneva, The Molitors are an alternative rock/indie quartet whose songs draw on influences from Nick Cave, The Smiths, Leonard Cohen, Pink Floyd and Nick Drake. Their original compositions explore dystopia, solitude, love and hope, balanced between brooding ballads and expansive, guitar-driven textures. Fronted by David Powell (vocals, guitar) with Sébastien Gabriel (bass), Anthony Weber (guitar) and Sébastien Steinmann (drums, piano), the band’s recent album deepens their atmospheric, melancholic sound.
Led by Ensemble Temenos, this programme reunites trio sonatas, suites of symphonies, a flute sonata and organ pieces by Antoine Dornel. The ensemble, with Alice Julien-Laferrière (violin) and Karel Valter (traverso), explores the refined elegance and inventive balance of late 17th–early 18th‑century French style. The music unfolds through measured dances, ornate ornamentation and lyrical Italianate contrasts, revealing melodic suppleness, intimate dialogues and rich harmonic clarity. The performance aims for transparent textures and poetic expression, inviting attentive listening to a seldom-heard repertoire.
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