Two chamber music masterpieces will be performed in an exceptional evening under the artistic direction of Sergey Ostrovsky and Noémie Bialobroda. The program features Dmitri Shostakovich’s Piano Quintet in G Minor and Franz Schubert’s String Quintet in C Major, showcasing talented musicians including Sergey Ostrovsky, Noémie Bialobroda, and Eva Kobor.
Quiet Man is a rising figure in British folk whose airy arrangements and hypnotic voice invite introspective listening. Originating from London and based in Glasgow, he is known for minimalist, emotive songwriting that blends fragile melodies with intimate textures. Having opened for Fred Again.., Medium Build and Harrison Storm across the UK and Ireland, his debut EP Oversensitive (2025) earned BBC attention and established him as one to watch on the contemporary folk scene.
Under the baton of Eun Sun Kim, violinist Frank Peter Zimmermann will join the Orchestre de la Suisse Romande (OSR) for a concert at Victoria Hall. The program features Mendelssohn’s “Hebrides” Overture, Frank Martin’s “Concerto for Violin and Orchestra,” and Beethoven’s iconic “Symphony No. 5.” This evening offers a captivating journey through pieces that evoke nature, enchantment, and dramatic power, with a total duration of about 1 hour and 40 minutes, including an intermission.
Directed by Geneviève Pasquier and performed by Vincent Babel, LETTRE À MON DICTATEUR stages Eugène’s cathartic gesture of writing to Nicolae Ceauşescu. The production blends intimate monologue with archival echoes, folding fragments of Pierre Omer’s Swing Revue into a jazz-tinged score that punctuates memory and revelation. The creative space favors spare tableaux, tactile sound textures and a nimble rhythm that offsets historical weight with mischievous warmth, transforming personal trauma into a tender, witty coming-of-age confession.
In French.
Festival Antigel transforms Geneva into an experimental cultural playground each winter, a three-week laboratory of innovation. Programming mixes renowned and emerging artists across music, performance and visual projects, revealing unexpected sites and blending disciplines. The festival foregrounds diversity and social engagement, bringing together varied audiences through bold curations. Lighting, sound and staging often shape intimate, cinematic atmospheres, while collaborative projects emphasize discovery, collective energy and the thrill of shared, ephemeral encounters.
A musical journey through the history of cabaret, from its origins to the present day, takes the stage at Théâtre Les Salons. Directed by Philippe Cohen, this production includes artists such as Bobby Lapointe and Aristide Bruant, accompanied by the talented Gaëlle Poirier on accordion and Narcisso Saùl on guitar. The ensemble, featuring Majbritt Byskov-Bridges, Philippe Cohen, Marie-Stéphane Fidanza, Claudia Lachat, Thomas Laubacher, and Kim Selamet, delivers a captivating evening filled with sketches and songs, offering a delightful blend of whimsy, romance, and humor.
Ghostwoman is a Canadian duo reviving the spirit of Americana with vintage-modern textures, garage lines and psychedelic atmospheres. Led by multi-instrumentalist Evan Uschenko and joined by drummer Ille van Dessel, their music blends lo-fi grit, grunge intensity and post‑apocalyptic themes into cinematic songs conceived for the stage. Their album Welcome to the Civilized World channels wide-open road imagery and stark, melancholic melodies, offering an evocative, immersive live experience.
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